이장희 시에 나타난 ‘우울’의 미학과 모성적 정치성

Abstract

The sentiment of “Melancholy” that is found on the Dongin–Ji in 1920’s has been criticized due to its passive and retrogressive attitude, which was considered as escaping the reality, even though that was letting out their pent–up anger toward failure of “3.1. Independence Movement”. This is the result of the interpretation which combines the historical atmosphere and critical mind that can be found in the Dongin–Ji in 1920’s. The implication of the various symbols and writing method which was found in Dongin–Ji, remains limited due to its one sided interpretation. The critical mind of this thesis is starting from this point and tried to re–evaluate the sentiment of “Melancholy” that can be commonly found in Dongin–Ji in the 1920’s and developed the debated aiming at Lee, Jang–Hee(Poet) among them. The sentiment of the “Melancholy” in Lee Jang–Hee's poet can be interpreted in positive way related with “The Old Memory” and “The Tomb”, although his “Melancholy” also evaluated as passive and retrogressive attitude just like other poets in a discourse system of Dongin–Ji on those days. This thesis is mainly referred the concept of Kristeva’s “Melancholy” and by reading this paper we can find out affect of the “Melancholy” which is presented in Lee, Jang–Hee’s poem is oriented at maternal world and presented in various writing method which dissolves order of symbolic(le symbolique) on those days. Therefore the sentiment of “Melancholy” which is presented in Lee, Jang–Hee’s poem is consious product which is trying to shaping new poetic order and can be considered as “Maternal Politics”.