윤동주 시의 상호텍스트성 연구 - 「薔薇病들어」, 「츠르게네프의 언덕」을 중심으로 -

Abstract

Yun Dong Ju composed his own works not for publication but as a result of reflection. By that reason, all his works written by confessed style has a character about his own’s thinking and life. Of all his works, this article examined intertextuality between two works, ‘Sick Rose(1939)’, ‘Turgenev’s Hill(1939) and another works that have a narrative. Also this paper analyzed intertextuality between his meditation reflected in works and his own works. ‘Sick Rose’ written by Yun Dong Ju, ‘Rose takes sick’ written by Lee Hyo Seok, ‘Beggar’ written by Turgenev have a intertextuality in terms of content and topic. Specially, because of all works which analysed in this article have three factor in the narrative-character, event and background, we can presuppose Yun Dong Ju’s consciousness, viewpoint of world by analyses of his works and understand diverse message that transmitted in his works by comparison more discernibly. In ‘Sick Rose’, we can seize the sense of him that progressed from passive attitude in which he responds to other’s sorrow into own’s sacrifice in which he understands other’s grief as own’s thing. and in ‘Turgenev’s Hill’ grasp inner conflict revealed as a foreigner. As a foreigner, he conducted along with the fact that man can not accumulate virtuous deeds only by mindfulness and did not assimilate into other’s life and thought by active manner.