한국 근대시에 나타난 만주 체험과 북방 의식 연구 - 백석, 이용악, 유치환의 북방시편을 중심으로

Abstract

The purpose of this study is to examine some aspects of the Northern Consciousness and the Manchuria erlebnis that emerged in modern Korean times in the late 1930s. It is also necessary to gauge the landscape of Northeast Asian literature centered around the Manchurian region of the time, looking at the pattern of major poets' experiences in Manchuria and the deviation of the northern consciousness during this period. The Northern Poetry of Baek Seok show the consciousness of losing their native place as a source of life and the emotions of the fallen self. In Baek Seok's work, the locals of Manchuria are painted amicably, mainly descendants of historical figures in China. This perception can be understood as the compassion of the innocent individual who lost his original roots and had to live as a colonizer. In the case of Lee Yong-ak, it focuses mainly on portraying the miserable life of Yoo Yi-min based on the shape of the poet's direct experience. In Lee Yong-ak's work, the north is a scary place, a place where women were sold, and a space of wandering where the base of life was uprooted. Lee Yong-ak shows an emotional solidarity with the life of change, which he had to endure as a colonizer.In Lyu Chi-hwan's poetry, the northern consciousness appears to be the sorrow of an inner self who conforms to reality and recognizes the system, along with bitter self-confirmation as a repressed subjugation colony. The remorse and remorse shown in Lyu Chi-hwan's various works show the breakdown of the perception of the poetic subject and result in abstract romanticism and the collapse of the spirit of the patriot.