山水畵의 觀照方式 硏究

Abstract

A set form is require to see something as its object is expressed in a picture. There are also some specifications of such form for orintal landscape paintings, which are quite different those western landscape paintings. In orintal landscape paintings, which has its basis in the Orintal Hun philosophy that emphasized being unitewith nature for the happiness or the human being, to paint the landscape and appreciate it is considered as an expression of the inter or wish to be back to nature. Such thought bore the contemplation method as a disperse seeing through Western landscape painting try to express most beautiful scene that we observe the nature scientifically through the far and near seeing through. About the landscape which the contemplation method is to call a disperse seeing through. We transcend the limitation of the space of a moulding art and time. The spirit world with unified nature stare to be expressed to borrowing the natural landscape of the shape. The application of ‘a disperse seeing through’ is the first in 'taking' and the second in 'representing'. Named 'representing', It is to solve that artistic expression which tells the screen constitution with expression of screen space.