李商隱의 永樂時期 田園詩 연구

Abstract

I have appreciated and analyzed Li Shang-yin(李商隱)’s poetry of the ‘Pastoral-life’, and the results are as follows. First, among the 600 poems of the poetry, 40 poems were written during the Yongle(永樂) period, of which 21 poems belong to Pastoral potery. There are 3 poems in seven words Jueju(絶句, four line), 22 poems in Lüshi(律詩, eight line), and seven poems in Pailü(排律). Many of Pailü were written using free poetic writing, which is of 12, 16, and 20line(句), and no other form. Second, in poetry of the ‘Pastoral-life’, the objects were personified using everyday materials and they were metaphorically objectified by poet. The material encompassed natural and artificial elements. In Pailü(排律), the natural materials were combined with various knowledge elements such as the late, the event, and the historical event, and the meaning of poetry was further deepened and deepened. Third, the structure of the poem is based on the basic development structure of the form of the poetry, which pursuits the formal beauty of the form. In addition, the status of poetry is expanded through contrast, comparison, duplicate words, mimetic words, irony. Fourth, Li Shang-yin’s poetry of the ‘Pastoral-life’ is a work that naturally uses the intellectual metaphor and comparison. His poetry affirmed the joy and spiritual integrity of poverty, not the silvery homecoming song, but it symbolized and internalized the real waiting for the outing.