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자막 번역과 언어 사용의 경제성

Subtitling and Economy of Language

강지혜
한국텍스트언어학회 (The Textlinguistic Society Of Korea)|2006.12|텍스트언어학|제21권 |pp. 23-53

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참고문헌

키워드

텍스트textgenre영상매체장르자막번역subtitling맥락화contextualizationscreen translation번역자의 의사결정audiovisual mediumtranslator’s decision-making
주제분류언어학

초록

Abstract

This paper problematizes the common perception of shifts in meaning resulting from omissions and condensations in subtitling of foreign films. Contrary to the common view of subtitles as degenerate and defective translation, the present study argues that the changes in meaning arising from omission and condensation in subtitling are intentional in that they are a translator’s creative and teleological response to the constraints of the medium and genre. As subtitles are subject to temporal and spatial constraints, minimizing the number of words in subtitles becomes the most crucial task for the translator. The study shows that omission or condensation in subtitling occur where information may easily be recovered from the context, the video or the sound, or where information is provided as a repetition or paraphrase. Complex concepts and extended descriptions are also often omitted or condensed. Additionally, condensations are geared towards preserving perlocutionary effect and reflecting ‘situationality’ as depicted on the screen. Thus, the analysis shows that shifts in meaning are associated far less with arbitrary or random mistranslations than the translator’s effort to deal with the constraints and objectives of the medium and genre. The findings suggest that as translation evolves and diversifies in line with the changing conceptions of text and medium, discussions of translation need to be contextualized in terms of genre, medium, translation purpose, readership and other translation- related factors that have relevance for the way translation is carried out.

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