판소리에 있어 서술－핍진성과유희－예술성의 상관관계
Correlations between Narrative Verisimilitude & Playing Artistry in Pansori
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Verisimilitude (‘vraisemblance’ in French), as an appearance of truth, refers to a neoclassic idea of reality, morality, and universality. It denotes also, in all arts, literature and theatre, in particular, the extent to which a work of fiction exhibits some realism, or otherwise conforms to our sense of realistic credibility or prbability. What will be so its definition, function, status in pansori? It is indeniable that like all other fictive genders, pansori also depends on certain linguistic textual narrative form. But as the narration in pansori being actualized by vocal, musical and mimetic reprsentation before some audience, the narrative versimilitude in pansori is far more flexible than in others and tends to even yield to diverse aesthetic aspects of playing artistry. The purpose of this paper is so to examine the correlations between narrative verisimilitude and playing artistry in pansori. This, by adopting ‘versimilitude’ as a main operative concept for approach to textual effects in general, and establishing a double complementary and oppositive relations between：recit vs discourse, narrative vs descriptive.
Abstract
Verisimilitude (‘vraisemblance’ in French), as an appearance of truth, refers to a neoclassic idea of reality, morality, and universality. It denotes also, in all arts, literature and theatre, in particular, the extent to which a work of fiction exhibits some realism, or otherwise conforms to our sense of realistic credibility or prbability. What will be so its definition, function, status in pansori? It is indeniable that like all other fictive genders, pansori also depends on certain linguistic textual narrative form. But as the narration in pansori being actualized by vocal, musical and mimetic reprsentation before some audience, the narrative versimilitude in pansori is far more flexible than in others and tends to even yield to diverse aesthetic aspects of playing artistry. The purpose of this paper is so to examine the correlations between narrative verisimilitude and playing artistry in pansori. This, by adopting ‘versimilitude’ as a main operative concept for approach to textual effects in general, and establishing a double complementary and oppositive relations between：recit vs discourse, narrative vs descriptive.
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