Melding Past and Present : Korean Identities in Contemporary P’ansori Performances
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This paper analyzes four contemporary p’ansori pieces as a means of elucidating the continuing and changing performance practices and sounds of the genre. These performances are not necessarily representative of all newly-created pieces (ch’angjak p’ansori), but by observing certain stylistic and performative qualities we will be able to learn something about the way the genre is changing and what the changes might mean in terms of Korean identity. Thus, by comparing texts, sound aesthetics, performance space, costuming, and physical gestures used in contemporary p’ansori performances, we will be able to investigate the ways in which a traditional art form is being re-invented to appeal to young audiences. Additionally, we will observe how p’ansori itself is dealing with an era of globalization as the genre absorbs influences from the outside and conversely presents a rearticulated image of Korea to the world.
Abstract
This paper analyzes four contemporary p’ansori pieces as a means of elucidating the continuing and changing performance practices and sounds of the genre. These performances are not necessarily representative of all newly-created pieces (ch’angjak p’ansori), but by observing certain stylistic and performative qualities we will be able to learn something about the way the genre is changing and what the changes might mean in terms of Korean identity. Thus, by comparing texts, sound aesthetics, performance space, costuming, and physical gestures used in contemporary p’ansori performances, we will be able to investigate the ways in which a traditional art form is being re-invented to appeal to young audiences. Additionally, we will observe how p’ansori itself is dealing with an era of globalization as the genre absorbs influences from the outside and conversely presents a rearticulated image of Korea to the world.
참고문헌 (12)
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- Um, Hae-kyung, "New P’ansori in Twenty-first-century Korea: Creative Dialectics of Tradition and Modernity", Asian Theater Journal, 25(1), pp.24~57 (2008)
- Willoughby, Heather A., "The Sound of Han: P’ansori, Timbre and a South Korean Discourse of Sorrow and Lament", 박사, pp.2002
- Willoughby, Heather A., "Destined for Greatness: Coming of Age as a Korean P’ansori Performer. in Musical Childhoods and the Cultures of Youth", pp.121~142 (2006), Wesleyan University Press
- Yi, Po-hyŏng (이보형), "P’ansori. in Survey of Korean Arts: Traditional Music" (1973), National Academy of Arts
- Yoo, Young-dae (유영대), "Personal Communication", ~ (2005)
- 김기형, "또랑광대의 성격과 현대적 변모", 판소리연구, (18), pp.7~23 (2004), 판소리학회
- "Korea Pansori East to West", 신나라뮤직, ~ (2004)
- "얼시구또랑광대"[URL]