대중문화에 나타난 타자로서의 ‘제국 일본’ - ‘제국 일본’과 관련된 담론 분석을 중심으로 -
“Empire Japan” as an Other in Popular Culture - Focusing on analysis of discourse related to “Empire Japan” -
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초록
本稿は大衆文化の領域で他者としての「日本」を研究対象に設定したことから出発した。本稿は韓国社会の文化的領域で他者としての「帝国日本」に関する言説の構築がどのように展開されたかについて考察してみた。また、帝国主義」と「帝国日本」に対する概念的理解を検討し、「帝国日本」に関する分析のために理論的枠組みとして、文化帝国主義論に関する理論的議論も検討した。研究内容においては、1998年日本大衆文化開放に関する言説の分析と、2003年以降に日本で発生した韓流現象に関する分析を行った。このような過程を通じて「帝国日本」に関する言説の構築が時代的、社会的変動によって多少異なる形で作動することが分かった。本稿では文化帝国主義的観点から「帝国日本」に関する言説を考察したが、このような文化帝国主義的観点で作動する「帝国日本」関連の言説は時代的流れの変化と韓国の経済的、政治的位相の向上などで、徐々に薄くなっていった。本稿で検討したように、大衆文化領域で「帝国日本」に関する言説は、イデオロギー的機能によって再生される過程を示す。しかし、日本での韓流現象からわかるように、韓国で眺める他者としての「日本」は韓流という現象を通じてセレブリティという異なる次元のナショナルアイデンティティの作動が行われている。これは最終的に「帝国日本」のヘゲモニーが単にイデオロギー的な機能で作動することから脱皮し、脱帝国主義のヘゲモニーの働きとして理解することが望ましい。
Abstract
This study begins by setting Japan as the other within the realm of popular culture, serving as the focal point of the research. The objective is to examine the evolution of discourse surrounding “Empire Japan” as an other within Korean society’s cultural domain. This study reviews the conceptual understanding of “imperialism” and “Empire Japan” and theoretical discussions regarding cultural imperialism theory, providing the analytical foundation. Regarding research content, an analysis of the discourse related to the opening of Japanese popular culture in 1998 and the Korean Wave phenomenon that occurred in Japan after 2003 was conducted. This process revealed that the construction of discourse on "Empire Japan” takes on varied forms depending upon temporal and societal shifts. We examine the discourse on “Empire Japan” from the perspective of cultural imperialism, revealing its evolution influenced by changing trends and Korea's economic and political advancements, ultimately leading to its gradual attenuation. As elucidated, the discourse on “Empire Japan” within popular culture represents a process of ideological reproduction. However, the Korean Wave phenomenon in Japan underscores a different dimension wherein “Japan” as an Other, as perceived in Korea, assumes a distinct national identity characterized by celebrity status through the Korean Wave. Ultimately, it seems reasonable to understand this as the operation of post-imperialist hegemony, breaking away from the hegemony of “Empire Japan”, which formerly operated as an ideological construct.
참고문헌 (20)
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