디스토피아 세계와 삶에 대한 의지 - 무라카미 류(村上龍)의 『5분 후의 세계』를 중심으로 -
A study on Self-awareness and the will to live in Dystopia -Focus on The World in Five Minutes From Now by Ryu Murakami-
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本稿は村上龍が1994年発表した歴史改変SFである『五分後の世界』を中心に、ディストピアの世界としての日本という背景が持つ意味を分析した研究である。1990年代の日本は、平成不況とも言われる経済沈滞により、戦争こそ負けたが経済的にはそうではないと自負した日本社会の風潮に亀裂がはいった時期であった。にもかかわらず、村上はこの小説でさらに悲惨な歴史をたどる日本を想像し、同時にそのような環境に置かれても「恐怖」を克服し、前へ踏み出す小田桐という人物を呈示する。彼はこの作品を通して偶然の産物である歴史のもう一つの「可能性」を差し出し、極めて劣悪な環境のなかでも却って「生」への意志を探し出す自我を目覚めさせようとしている。この小説に表れたディストピアの世界がメタフィクションの文學装置として機能していることを踏まえ、与えられた環境で向き合った直接的な「恐怖」を通して「死」への回路を自覚したある人物が、「生」への意志を確認する物語を描くことで当時の読者に自分が属している世界の「生」の形について問いかけていることを明らかにした。
Abstract
This paper focuses on Ryu Murakami’s 1994 fictional work, The World in Five Minutes From Now, and examines an alternate history of Japan, as a dystopian society. in the 1990s, Japan underwent an economic recession, also known as the Heisei Recession, during which rifts had begun to form in Japanese society, which believed that it had lost the war but not the economy. Nevertherless, Murakami, in his novel, creates another Japan that has an even more desperate history. At the same time, he presents the character of Odagiri who overcomes the ‘fear’ and moves forward despite everything in his difficult environment. In this context, Murakami presents another ‘possibility’ of history-which is the product of chance-and urges for the self-awakening of man that can discover the will to live despite the poorest of environments. This paper concludes that, with the dystopian society presented in the novel that functions as a metafictional device, Murakami’s work poses a question to the readers, and narrates how an individual-who has realized the circuit to death through the ‘fear’, that they have faced in the given environment-confirms the will to live.
참고문헌 (13)
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