몽골 할흐 전통문양의 스토리텔링디자인 연구- 격자문양을 중심으로 -
A Storytelling Design Study of Khalkha Mongol's Traditional Pattern Designs - Focusing on Saraljin Pattern Design -
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Saraljin Pattern is the most typical pattern of Khalkha Mongol thatappears much in Eurasian Altai people. Saraljin Pattern is also known askhanan Pattern, because it is like a wall decoration pattern of MongolianGer. In this paper, Saraljin Pattern includes philosophy of birth and death ofEurasian genus-Altai. This can be determined through a meaning of thegrid pattern and a case study. in other word, Saraljin Pattern has the mostreligious color that is directly linked to death or negative removal inEurasia - Altai culture. In addition, the philosophy of Saraljin Pattern is proven in Korea'straditional door decoration and also in the structure of Goguryeo tombmurals. khasilg-a chilagu represents the Saraljin Pattern in historicalartifact of Eurasia-the Altai people. this paper implicated the system ofstorytelling of Saraljin Pattern with khasilg-a chilagu and Bird-Manpainted on Lascaux cave. This paper emphasized that it is important to interpret through consilience of disciplines like humanities, psychology and psychoanalysis,when approaching the traditional pattern of historical heritage.
Abstract
Saraljin Pattern is the most typical pattern of Khalkha Mongol thatappears much in Eurasian Altai people. Saraljin Pattern is also known askhanan Pattern, because it is like a wall decoration pattern of MongolianGer. In this paper, Saraljin Pattern includes philosophy of birth and death ofEurasian genus-Altai. This can be determined through a meaning of thegrid pattern and a case study. in other word, Saraljin Pattern has the mostreligious color that is directly linked to death or negative removal inEurasia - Altai culture. In addition, the philosophy of Saraljin Pattern is proven in Korea'straditional door decoration and also in the structure of Goguryeo tombmurals. khasilg-a chilagu represents the Saraljin Pattern in historicalartifact of Eurasia-the Altai people. this paper implicated the system ofstorytelling of Saraljin Pattern with khasilg-a chilagu and Bird-Manpainted on Lascaux cave. This paper emphasized that it is important to interpret through consilience of disciplines like humanities, psychology and psychoanalysis,when approaching the traditional pattern of historical heritage.
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