몽골 전통문양디자인의 상징성 연구 - 한국 전통문양디자인과의 비교를 중심으로 -
A study on symbolism of traditional pattern design of Mongolia - A comparative study on traditional pattern design between Korea and Mongolia-
2
조회
0
다운로드
6
인용
0
참고문헌
키워드
초록
In this paper, the most representative and widely used as a common pattern of the natural patterns and religious symbolism were compared with each other among the traditional patterns of Mongolia and South Korea. Natural patterns of the sun, moon, mountains, water, fire, cloud pattern, and religious patterns of the fish among typical pattern of Eight Treasure Pattern, lotus pattern were included in the study. The natural patterns of Mongolia and South Korea has been symbolized since prehistoric times. They were important symbol system as a sign of the communication for themselves and for their communities. Especially, they were handed down to posterity in the form of seal, not just a decoration but a cultural symbol with the whole human life style. In addition, the natural patterns and religious patterns have been variously used to pottery, bronze, Buddhist ritual instruments, the palace decoration representing the authority and household goods. And they are now the most commonly used as decorative patterns through the development of the times in Mongolia and South Korea. Therefore, they are eternity, power, strength, happiness, abundance, harmony, fusion, longevity, courage, and northern original cultural form which has been used since ancient times steadily. Also they are Lucky pattern that implies the symbolism of transcendental immortality which is the core idea of northern Shamanism. Accordingly, the symbolic and cultural value of Mongolia and South Korea can be excellent materials of storytelling design when it comes to checking the homogeneity of the traditional culture and creating a cultural product of industrialization. As a result, we must find original cultural form and modernly reinterpret the spirit world, tales, legends, so that can be effective use for industrialization of cultural industry and design area.
Abstract
In this paper, the most representative and widely used as a common pattern of the natural patterns and religious symbolism were compared with each other among the traditional patterns of Mongolia and South Korea. Natural patterns of the sun, moon, mountains, water, fire, cloud pattern, and religious patterns of the fish among typical pattern of Eight Treasure Pattern, lotus pattern were included in the study. The natural patterns of Mongolia and South Korea has been symbolized since prehistoric times. They were important symbol system as a sign of the communication for themselves and for their communities. Especially, they were handed down to posterity in the form of seal, not just a decoration but a cultural symbol with the whole human life style. In addition, the natural patterns and religious patterns have been variously used to pottery, bronze, Buddhist ritual instruments, the palace decoration representing the authority and household goods. And they are now the most commonly used as decorative patterns through the development of the times in Mongolia and South Korea. Therefore, they are eternity, power, strength, happiness, abundance, harmony, fusion, longevity, courage, and northern original cultural form which has been used since ancient times steadily. Also they are Lucky pattern that implies the symbolism of transcendental immortality which is the core idea of northern Shamanism. Accordingly, the symbolic and cultural value of Mongolia and South Korea can be excellent materials of storytelling design when it comes to checking the homogeneity of the traditional culture and creating a cultural product of industrialization. As a result, we must find original cultural form and modernly reinterpret the spirit world, tales, legends, so that can be effective use for industrialization of cultural industry and design area.
참고문헌 (47)
- 강우방, "한국미술의 탄생" (2007), 솔출판사
- 김일권, "우리 역사의 하늘과 별자리" (2008), 고즈윈
- 리영순, "동물과 수로 본 우리문화의 상징 세계" (2006), 도서출판 훈민
- 박원길, "유라시아 초원제국의 샤마니즘" (2001), 민속원
- 박환영, "몽골의 전통과 민속보기" (2008), 도서출판 박이정
- 백승정, "한국과 몽골의 전통문양디자인 비교- 몽골의 연속문양(Алхан хээ)과 길상문양(θлзий хээ)을 중심으로-", 몽골학, (28), pp.287~326 (2010), 한국몽골학회
- 백승정, "몽골의 게르(Ger)에 나타난 북방문화원형 디자인 연구", 몽골학, (31), pp.1~40 (2011), 한국몽골학회
- 백승정, "문화콘텐츠시대의 디자인" (2007), 한국공예문화진흥원
- 백승정, "몽골의 공예에 나타난 오갈즈(Ugalz) 문양디자인의 상징성 - 한국의 소용돌이 문양디자인(渦紋, 蕨手紋)과의 비교를 중심으로 -", 몽골학, (30), pp.329~360 (2011), 한국몽골학회
- 백승정, "몽골의 인장에 나타난 알항헤(망치문양)디자인의 상징성 -한국의 뇌(雷)문양과의 비교를 중심으로-", 몽골학, (32), pp.37~62 (2012), 한국몽골학회
- 아리엘골란, "선사시대가 남긴 세계의 모든 문양" (2007), 푸른역사
- 우실하, "전통 문화의 구성 원리" (1998), 소나무출판사
- 임영주, "한국문양자료집" (1998), 미진사
- 임영주, "한국의 전통문양" (2004), 대원사
- 설예, "蒙古裝飾圖案 在地域性 建築中的 語義表達" (2007), 내몽고공업대학
- 이평래, "몽골 신화의 형상", pp.38~ (2007), 태학사
- 장장식, "몽골유목민의 삶과 민속" (2005), 민속원
- 정복상, "전통 문양의 응용과 전개" (1995), 창지사
- 한국문화재보호재단, "한국의 무늬 개정판" (2005), 예맥출판사
- B.Myagmarbayar, "History of Mongolian Ger" (2006)
- E.A.노브고라도바, "몽골의 선사시대" (1995), 학연문화사
- 김재인, "천 개의 고원." (2001), 새물결출판사
- J.C.Cooper, "그림으로 보는 세계문화 상징사전(An illustrated encyclopaedia of traditional symbols)" (2000), 까치글방
- Joseph Campbell, "신화의 이미지(The Mythic Image)" (2006), 살림출판사
- Joseph Campbell, "신화의 힘(The Power of Myth)" (2002), 이끌리오
- Kh.Nyambuu, "일부 할흐지역의 문양(19세기에서 20세기초)", ~
- M.Eliade, "세계종교사상사" (2005), 이학사
- M.Eliade, "이미지와 상징(Images et Symboles)" (1988), 까치
- 미란다 부르스 미트포트, "기호와 상징", pp.30~, 21세기 북스
- N.Tsultem, "Mongolian Arts and Crafts" (1987), State Publishing House
- Д.Бяар, "몽골석인상의 연구" (1994), 혜안
- 占柱, "Mongolian Folk Designs" (1998), 내몽고문화출판사
- С.Бадамхатан, "Чингис хаан: Би энд нойрсоно", Эрдэм шинжилгээнтй бүтээлүүд, (3) (2005)
- Б.Болд, "Монгол ардын хээ угалз" (2006)
- Б.Даажав, "Ger(1-2)", Nomadic, 4(1) (2000)
- Б.Даажав, "Mongol ger design history", Nomadic, 27 (2002)
- Б.Даажав, "Гэр - Монгол уран барилгын үндэс" (2006)
- С.Дулам, "МОНГОЛ БЭЛГЭДЭЛ ЗҮӤ" (2007)
- Лувсанчойдон, "Монголын зан аалийн ойлбор" (2010)
- Д.Мөнх-Очир, "Монгол зурхайн тʏʏхэн товчоон" (2006)
- Б.Мягмарбаяр, "Монгол гэрийн үүсэл хөгжлийн түүх" (2007)
- Tumurkhuyag Jadambiin, "creative methods of inventing ornaments" (2010), Mongolia
- Tumurkhuyag Jadambiin, "National Museum of Mongolia" (2009)
- Б.Баасанхʏʏ, "Монгол алтайн бʏс нутгийн ард тʏмний эдийн соёл" (2006)
- Л.Батчуулун, "Монгол хээ чимэг" (2000)
- Нарт, "Өлзий хээний гарал, хувьсгал" (2009)
- Ж.Төмөрхуяг, "Хээ угалз бүтээх аргууд" (2010)