The Man in the Woman: The Words upon the Window-Pane
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This essay explores the last scene of Yeats’s play The Words upon the Window-Pane (1934), focusing on its theatrical and symbolic significances. The final scene where Swift’s last cry comes out of the medium’s mouth offers a thrilling moment to the audience who believe the play is about to finish, and it drives the audience to have a glimpse into Swift’s tragedy. Moreover, the scene produces the symbolic meaning of the opposition between subjectivity and objectivity through the contrast between man and woman, and it delivers the playwright’s subversive intention against the Catholic ethics and politics of his contemporaries.
Abstract
This essay explores the last scene of Yeats’s play The Words upon the Window-Pane (1934), focusing on its theatrical and symbolic significances. The final scene where Swift’s last cry comes out of the medium’s mouth offers a thrilling moment to the audience who believe the play is about to finish, and it drives the audience to have a glimpse into Swift’s tragedy. Moreover, the scene produces the symbolic meaning of the opposition between subjectivity and objectivity through the contrast between man and woman, and it delivers the playwright’s subversive intention against the Catholic ethics and politics of his contemporaries.
참고문헌 (26)
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