Yeats’s Influence on Seamus Heaney: Focusing on Heaney’s Double Attitude toward Yeats
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Heaney’s long critical attention to Yeats indicates that Heaney considers Yeats a great literary heritage. In Heaney we can find Yeats’s heritages, including, among other things, the great pride as a national bard without damaging their own aesthetical style and a precious lesson that art has to be made by the laborious efforts. Yeats, a predecessor of Nobel prize winning and inner émigré, helps Heaney expand his vision from the local to Europe and the world. However, Heaney sticks to a double attitude towards Yeats. First, Heaney has the tradition contrary to Yeats’s, embracing the five phases of modern Irish literature. Second, Heaney comes closer to the Irish traditional identity. However, the later poems of both poets, characterized by returning to their own kind of omphalos, confirm my hypothesis above. Taken together, Yeats’s influence on Heaney is not sweeping but limited.
Abstract
Heaney’s long critical attention to Yeats indicates that Heaney considers Yeats a great literary heritage. In Heaney we can find Yeats’s heritages, including, among other things, the great pride as a national bard without damaging their own aesthetical style and a precious lesson that art has to be made by the laborious efforts. Yeats, a predecessor of Nobel prize winning and inner émigré, helps Heaney expand his vision from the local to Europe and the world. However, Heaney sticks to a double attitude towards Yeats. First, Heaney has the tradition contrary to Yeats’s, embracing the five phases of modern Irish literature. Second, Heaney comes closer to the Irish traditional identity. However, the later poems of both poets, characterized by returning to their own kind of omphalos, confirm my hypothesis above. Taken together, Yeats’s influence on Heaney is not sweeping but limited.
참고문헌 (21)
- Corcoran, Neil, "The Cambridge Companion to Seamus Heaney", pp.165~175 (2009), Cambridge UP
- Heaney, Seamus, "Death of a Naturalist" (1966), Faber and Faber
- Heaney, Seamus, "Door into the Dark" (1969), Faber and Faber
- Heaney, Seamus, "Wintering Out" (1972), Faber and Faber
- Heaney, Seamus, "North" (1975), Faber and Faber
- Heaney, Seamus, "Field Work" (1979), Faber and Faber
- Heaney, Seamus, "Selected Poems. 1965～1975" (1980), Faber and Faber
- Heaney, Seamus, "Preoccupations. Selected Prose 1968～1978" (1980), Faber and Faber
- Heaney, Seamus, "An Open Letter" (1983), Field Day Theatre Company
- Heaney, Seamus, "A Version from the Irish" (1983), Faber and Faber
- Heaney, Seamus, "Station Island" (1984), Faber and Faber
- Heaney, Seamus, "The Haw Lantern" (1987), Faber and Faber
- Heaney, Seamus, "New Selected Poems 1966～1987" (1990), Faber and Faber
- Heaney, Seamus, "Pilgrim’s Journey", Poetry Book Society Bulletin, 123(Winter), pp.3~ (1984)
- Heaney, Seamus, "Finders Keepers Selected Prose 1971-2001" (2002), Faber and Faber
- 홍성숙, "'Uisneach' as A Poetic Vision of W.B. Yeats & Seamus Heaney", 한국 예이츠 저널, 24, pp.237~250 (2005), 한국예이츠학회
- 홍성숙, "The Conflict and its Resolution: W. B. Yeats and Seamus Heaney Compared", 한국 예이츠 저널, 38, pp.105~119 (2012), 한국예이츠학회
- 홍성숙, "Journey Back to the Omphalos in Heaney’s Later Poetry", 한국 예이츠 저널, 42, pp.79~93 (2013), 한국예이츠학회[DOI]
- Johnston, Dillon, "Irish Poetry After Joyce" (1985), Nortre Dame UP
- O’Brien Eugene, "Seamus Heaney : Searches for Answers" (2003), Pluto Press
- Yeats, W. B., "Collected Poems of W. B. Yeats" (1950), Macmillan