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Joyce’s Literary Influence on Heaney Based on Their Common Features

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This paper aims to investigate Joyce’s literary heritage down to Heaney, based on their common features. On the whole, Joyce had greater influence on Heaney than any other writers by judging from the following common features: first, Joyce and Heaney, both Catholics, sought to create art free from the net of Catholic jingoism. Meanwhile Joyce and Heaney—unlike Yeats—tried to expose even paralysis and misery of the Irish people in the realistic way to better the Irish life. Moreover, the two writers tried to overcome the sense of lack in language derived from extinction of Gaelic and use English as a native weapon. And last but not least, Joyce’s influence is seen in the fact that Heaney also tried to reinvent Ireland with new conscience as Joyce did. In brief, Heaney inherited Joyce’s modernism characterized by art free from political and religious nets and meliorism.

Abstract

This paper aims to investigate Joyce’s literary heritage down to Heaney, based on their common features. On the whole, Joyce had greater influence on Heaney than any other writers by judging from the following common features: first, Joyce and Heaney, both Catholics, sought to create art free from the net of Catholic jingoism. Meanwhile Joyce and Heaney—unlike Yeats—tried to expose even paralysis and misery of the Irish people in the realistic way to better the Irish life. Moreover, the two writers tried to overcome the sense of lack in language derived from extinction of Gaelic and use English as a native weapon. And last but not least, Joyce’s influence is seen in the fact that Heaney also tried to reinvent Ireland with new conscience as Joyce did. In brief, Heaney inherited Joyce’s modernism characterized by art free from political and religious nets and meliorism.

참고문헌 (17)

  1. Corkery, Daniel, "The Hidden Ireland" (1924), Gill and Macmillan
  2. Ellmann, Richard, "James Joyce" (1959), Oxford UP
  3. Garratt, F. R, "Modern Irish Poetry" (1986), U of California P
  4. Heaney, Seamus, "Death of a Naturalist" (1966), Faber and Faber
  5. Heaney, Seamus, "Wintering Out" (1972), Faber and Faber
  6. Heaney, Seamus, "Station Island" (1984), Faber and Faber
  7. Heaney, Seamus, "New Selected Poems 1966~1987" (1966), Faber and Faber
  8. Heaney, Seamus, "Seeing Things" (1991), Faber and Faber
  9. 홍성숙, "Heaney as an Inner Emigré", 한국 예이츠 저널, 50, pp.31~44 (2016), 한국예이츠학회[DOI]
  10. 홍성숙, "Irish Catholicism seen through Poetries of Yeats and Heaney", 한국 예이츠 저널, 25, pp.161~178 (2006), 한국예이츠학회
  11. 홍성숙, "『순례의 섬』에 나타난 죄의식과 예술가로의 비상", 영어영문학연구, 51(1), pp.385~406 (2009), 한국중앙영어영문학회[DOI]
  12. Johnston, Dillon, "Irish Poetry After Joyce" (1985), University of Notre Dame
  13. Joyce, James, "A Portrait of the Artist as a Young Man" (1964), Viking Press
  14. Joyce, James, "Stephen Hero" (1959), New Directions
  15. Joyce, James, "Ulysses" (1961), Modern Library
  16. Kinahan, Frank, "Artist on Art: An Interview with Seamus Heaney", Critical Inquiry, 8, pp.407~ (1982)
  17. O’Brien, Darcy, "The Conscience of James Joyce" (1968), Princeton UP

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