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Paul Muldoon’s Poetry as Allegory: A Distancing from W. B. Yeats and Seamus Heaney

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This paper seeks to examine how Paul Mudoon made an attempt to distance himself from W. B. Yeat and Seamus Heaney, his mentor. I find that Seamus Heaney was successful in terms of his building of his own poetic world different from that of W. B. Yeats. As a disciple of Seamus Heaney, Paul Mudoon has also become successful in the construction of his own poetic world. Particularly adopting allegory, Muldoon has created his poetic world distinct from those of W. B. Yeats and Seamus Heaney in addressing Ireland and Irishness.

Abstract

This paper seeks to examine how Paul Mudoon made an attempt to distance himself from W. B. Yeat and Seamus Heaney, his mentor. I find that Seamus Heaney was successful in terms of his building of his own poetic world different from that of W. B. Yeats. As a disciple of Seamus Heaney, Paul Mudoon has also become successful in the construction of his own poetic world. Particularly adopting allegory, Muldoon has created his poetic world distinct from those of W. B. Yeats and Seamus Heaney in addressing Ireland and Irishness.

참고문헌 (19)

  1. Brandes, Rand., "Seamus Heaney’s Working Titles: From ‘Advancements of Learning’to ‘Midnight Anvil,’" (2009), Cambridge UP
  2. Donaghy, Michael, "A Conversation with Paul Muldoon", Chicago Review, 35(1), pp.77~85 (1985)
  3. Goody, John, "“Armageddon, Armagh-geddon”: Language Crisis in the Poetry of Paul Muldoon" (1988), Uppsala UP
  4. Heaney, Seamus, "Death of a Naturalist" (1966), Faber and Faber
  5. Heaney, Seamus, "Door into the Dark" (1969), Faber and Faber
  6. Heaney, Seamus, "Wintering Out" (1972), Faber and Faber
  7. Heaney, Seamus, "North" (1975), Faber and Faber
  8. Heaney, Seamus, "Field Work" (1979), Faber and Faber
  9. Heaney, Seamus, "Preoccupations: Selected Prose 1968-1978" (1980), Farrar, Straus and Giroux
  10. Holdridge, Jefferson, "The Poetry of Paul Muldoon" (2008), The Liffey Press
  11. Kendall, Tim, "Paul Muldoon" (1996), Dufour Editions
  12. Muldoon, Paul, "New Selected Poems: 1968-1994" (1968), Faber and Faber
  13. Muldoon, Paul, "Mules" (1977), Faber and Faber
  14. Muldoon, Paul, "Why Brownlee Left" (1980), Faber and Faber
  15. Muldoon, Paul, "Quoof" (1980), Faber and Faber
  16. Muldoon, Paul, "Meeting the British" (1980), Faber and Faber
  17. Shklovsky, Victor, "The Critical Tradition: Classic Texts and Contemporary Trends", pp.738~756 (1989), St. Martin’s Press
  18. Wills, Clair, "Reading Paul Muldoon" (1998), Cromwell Press
  19. Wilson A. William, "Paul Muldoon and the Poetics of Sexual Difference", Contemporary Literature, 28(3), pp.317~331 (1987)

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