Yeats and Heaney: Two Diverging Paths of Poeticizing
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I am compelled to think that Heaney’s attitude to language is the same as Yeats’s: “a new bud on an old bough.” Yeats has been highly attentive to the past: old master poets: Spenser, Shakespeare, Donne, Thomas Gray, Blake, Shelley, Coleridge. Not only poetry but also other writing inspired him. And in a literary history, when a work has been inspired by a particular work, it is easy to make a comparison, in a convincing way. How could you possibly compare, for example, Leonardo da Vinci and W. B. Yeats?
Abstract
I am compelled to think that Heaney’s attitude to language is the same as Yeats’s: “a new bud on an old bough.” Yeats has been highly attentive to the past: old master poets: Spenser, Shakespeare, Donne, Thomas Gray, Blake, Shelley, Coleridge. Not only poetry but also other writing inspired him. And in a literary history, when a work has been inspired by a particular work, it is easy to make a comparison, in a convincing way. How could you possibly compare, for example, Leonardo da Vinci and W. B. Yeats?
참고문헌 (8)
- Heaney, Seamus, "Beowulf: A New Verse Translation. Bilingual Edition" (2000), Norton
- Heaney, Seamus, "Death of a Naturalist" (1966), Faber
- Heaney, Seamus, "Now and in England", Critical Inquiry, 3(3), pp.471~488 (1977)
- Heaney, Seamus, "The Place of Writing: The Inauguration of the Richard Ellmann Lectures in Modern Literature" (1989), Scholars Press
- O’Driscoll, Dennis, "Stepping Stones: Interview with Seamus Heaney" (2008), Farrar, Straus and Giroux
- 이영석, "Digging Up “Digging,” “Waterfall”: Reading Heaney’s Early Poetry in Death of a Naturalist", 한국 예이츠 저널, 44, pp.63~83 (2014), 한국예이츠학회[DOI]
- Salerno, Nicholas A, "A Note on Yeats and Leonardo da Vinci", Twentieth Century Literature, 5(4), pp.197~198 (1960)
- Yeats, W. B, "The Variorum Edition of The Poems of W. B. Yeats" (1957), Macmillan