原用과 變用 ― ≪聊齋誌異≫ ＜姊妹易嫁＞의 改編 연구

Abstract

This research concretely investigated how the literal novel(文言) works of the same period were reformed as baihua(白話) novel works through Zimeiyijia(＜姊妹易嫁＞) of Yaozaizhiyi(≪聊齋誌異≫) and Weifumingnieyoujizuo daizijiafuzitianlai(＜違父命孽由己作 代姊嫁福自天來＞)(hereafter Weifuming) and Maoshangshuxiaomeihuandazi(＜毛尙書小妹換大姊＞)(hereafter Maoshangshu) of Xingmengpianyan(≪醒夢駢言≫) who reformed this. In this process, this research concretely considered how the narrative form and narrative structure, narrative content, and subject consciousness of the work were ‘originally used(原用)’ and ‘transformed(變用)’. First, when investigating change in narrative form and narrative structure, three works showed difference in the introduction and conclusion form of work even excluding difference in style of writing of ‘menyanmen(文言文)’ and ‘baihuawen(白話文)’ in narrative form. Whether of ‘ruhua(入話)’ appeared differently in the introduction, and participation method of narrator appeared differently in the conclusion. Developing method of three works was similar in respect of narrative structure, however regarding detailed content order and procedure, ‘displacement(前置)’ and ‘separation(分離)’ phenomena appeared, and in respect of word element(話素) set-up and movement per composition, ‘inversion(倒置)’ phenomenon appeared. Next, when investigating change of narrative content, Weifuming had strong characteristic of amplifying by newly reforming or expanding lots of Zimeiyijia additionally, and Maoshangsu was reformed within the range that does not deviate from the content of original work, also, the part considered unnecessary was deleted. In respect of subject consciousness that appeared in the reformation process of Zimeiyijia, a certain degree of change appeared. In Zimeiyijia and Weifuming, the concept of acknowledgement(認定) and acceptance of fatalism(宿命論) appeared in common. However, the degree thereof was different each, if Zimeiyijia highlighted relatively strong fatalistic characteristic, Weifuming emphasized importance of personal personality and virtue above all, while it showed acknowledgement(認定) and acceptance of fatalism. Maoshangshu concentrated on showing the virtue and duty of a woman. This way, considering the process of reforming the original work does not stop at merely investigating the change of narrative content, but has a significance in illuminating relation and association between works. Also, it can provide important material to determine association between the ‘writer’, ‘work’, and ‘reader’ and response, cognition and demand of readers on the work, and tendency and trend, etc. of reformation of novel works during that time. This exploration can concretely investigate how the works could be reborn through change of writing style and content in the development process of novel history, also, be the opportunity to diversely consider the progress process and change type such as content and cognition, reaction of acceptance and refusal, etc. of work that is inherent therein.