淸末 上海에서 출판된 西洋畵法 교재 ≪論畵淺說≫과 ≪畵形圖說≫ 연구
A Study on Lunhua Jianshuo and Huaxing Tushuo, the Textbooks For Teaching Western Painting Techniques Published in Shanghai in the Late Qing Dynasty
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
Lunhua Jianshuo (First Lessons In Drawing, 論畵淺說) and Huaxing Tushuo (Illustrations and explanations for Drawing Figures, 畵形圖說) are the textbooks for teaching painting, published in Shanghai in 1880 and 1885 respectively. These two books demonstrate the methods and level of Modern art education during the late Qing dynasty when Western drawing techniques began to be introduced to the general public in China. The articles in Lunhua Jianshuo were published in the ‘Lunhua Jianshuo’ section in the newspaper for children named Xiaohai Yuebao (小孩月報). The main contents of this book are basic explanations for teaching techniques in drawing pictures. Huaxing Tushuo was written by Li Chasen (里察森) as a textbook for school class, and translated by Fu Lanya (傅蘭雅) (John Fryer, 1839~1928), which demonstrates the fundamentals of perspective and the precautions in practice in class. In the method of explaining the perspective, Lunhua Jianshuo mainly focuses on how to make a composition using the concepts of ‘base location’ (基址), ‘horizontal line’ (平線), and ‘vanishing point’ (聚點) for the purpose of drawing landscapes. On the other hand, Huaxing Tushuo generally accounts the basic principles of the perspective. Both books explain the Western painting methods by presenting illustrative illustrations and then explaining how to draw the same way with the illustrations.
Abstract
Lunhua Jianshuo (First Lessons In Drawing, 論畵淺說) and Huaxing Tushuo (Illustrations and explanations for Drawing Figures, 畵形圖說) are the textbooks for teaching painting, published in Shanghai in 1880 and 1885 respectively. These two books demonstrate the methods and level of Modern art education during the late Qing dynasty when Western drawing techniques began to be introduced to the general public in China. The articles in Lunhua Jianshuo were published in the ‘Lunhua Jianshuo’ section in the newspaper for children named Xiaohai Yuebao (小孩月報). The main contents of this book are basic explanations for teaching techniques in drawing pictures. Huaxing Tushuo was written by Li Chasen (里察森) as a textbook for school class, and translated by Fu Lanya (傅蘭雅) (John Fryer, 1839~1928), which demonstrates the fundamentals of perspective and the precautions in practice in class. In the method of explaining the perspective, Lunhua Jianshuo mainly focuses on how to make a composition using the concepts of ‘base location’ (基址), ‘horizontal line’ (平線), and ‘vanishing point’ (聚點) for the purpose of drawing landscapes. On the other hand, Huaxing Tushuo generally accounts the basic principles of the perspective. Both books explain the Western painting methods by presenting illustrative illustrations and then explaining how to draw the same way with the illustrations.
참고문헌 (27)
- 고비, "《小孩月报》所刊载的伊索寓言敍述特点硏究", 중국소설논총, (47), pp.177~198 (2015), 한국중국소설학회[DOI]
- 김상근, "예수회 선교사를 통해 중국과 일본으로 전래된 서양화법(西洋畵法): 동서미술교류사의 선교학적 연구를 위한 제안", 신학논단, 57, pp.199~239 (2009), 연세대학교 신과대학 연합신학대학원[DOI]
- 문정희, "中國의 近代 圖畵敎育", 미술사논단, 6 (1998), 한국미술연구소
- 이태진, "奎章閣 中國本 圖書와 集玉齋圖書", 민족문화논총, 16 (1996), 영남대학교 민족문화연구소
- 장영숙, "『內下冊子目錄』을 통해 본 고종의 개화관련 서적 수집 실상과 영향", 한국민족운동사연구, (58), pp.205~240 (2009), 한국민족운동사학회
- 장준석, "중국 근대미술교육의 형성 및 발전에 대한 연구: 채원배와 노신을 중심으로", 미술교육논총, 30(3), pp.171~192 (2016), 한국미술교육학회
- 최경현, "19세기 후반 上海에서 발간된 畵譜들과 韓國 畵壇", 한국근현대미술사학(구 한국근대미술사학), (19), pp.7~28 (2008), 한국근현대미술사학회(구 한국근대미술사학회)
- 홍선표, "명청대 西學書의 視學지식과 조선후기 회화론의 변동", 미술사학연구, (248), pp.131~170 (2005), 한국미술사학회
- 陈雅婧, "近代中国画的守成與折衷", 석사, pp.2015
- 狄青, "对撞⋅裂变⋅重构——试述清末民初中国绘画观念的演变", 석사, pp.2011
- 郭燕, "视学东传的初步硏究", 석사, pp.2006
- 黃厚明, "中国近代学校美术课程的早期形态", 美术研究, (3) (2014)
- 金桓亦, "民国时期高等美术教育课程设置发展研究", 석사, pp.2010
- 李金凤, "清末民初外来文化的传入及对海上画派的影响", 석사, pp.2011
- 李尚雅, "清末民初外来文化的传入对工笔花鸟画的影响", 석사, pp.2015
- 李子峰, "中国画改良與守护", 석사, pp.2013
- 司马列东, "清末民初西洋风格绘画对大众传播的影响", 석사, pp.2008
- 苏滨, "中国清末民初的美术與社会研究", 박사, pp.2004
- 王红霞, "傅兰雅的西书中译事业", 박사, pp.2006
- 吴菲, "清末民初西洋画在上海地区的传播及对近代画坛的影响", 석사, pp.2012
- 夏文玲, "浅析清末民初“西画东渐”的兴起和影响", 美與时代 (2011)
- 徐振杰, "西方近代绘画初传中日状況與影响之比较", 艺术探索, 25(6) (2011)
- 徐习文, "对西画與民初画坛思想演变之关系的反思", 常州大学学报(社会科学版), 17(5) (2016)
- 张梅, "另一种现代性诉求—1875-1937兒童文学中的图像叙事", 박사, pp.2011
- 赵东诚, "传统與西化: 淸末民初美术革新論述", 文艺评论, (3) (2011)
- 赵静益, "论民国时期中国画改革的折衷性", 석사, pp.2009
- 朱燕楠, "略论晚清至民初艺术中的外来影响", 美術敎育硏究, (1) (2013)
