20세기 동아시아 문인화 개념부터 국화(國畵)의 이상까지 - 일본과 중국을 중심으로
From the Concept of East Asian Literati Painting to the Ideal of National-Style Painting in the Twentieth Century: Focusing on Japan and China
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In the 20th century, from the "The Theory of Decline of Chinese Painting" to the birth of Chinese "National-Style Painting", 'Literati Painting' has always been regarded as the core concept in the history of Chinese painting. However, 'literati painting' is not actually an art concept handed down from ancient painting theories, but a "new concept" formed in modern Japan through the interpretation of 'The Theory Of Northern And Southern Models'. But why did the Japanese concept of 'literati painting' become the standard of Chinese 'National-Style Painting'? In this paper, we first discuss the critical attitude of Japanese scholars towards 'Literati Painting' and the revival of 'Japanese Painting' during the Meiji period. To investigate the origin and development process of the concept of'Literati Painting' in Japan. Second, it discusses the viewpoints put forward by the Reform School and the Traditional School of Painting around the improvement of Chinese Painting. Third, from the perspective of ‘Fine Art', it clarifies that the modern Japanese art system formed in Japan under the influence of 'Pan-Asianism' is actually a value judgment formed by comparing the visual form of Western art from the standpoint of the 'Eastern Other'.Finally, it analyzes the problems existing in Japan's modern art system. It expounds the similarity between the "consciousness of art" and the principles of 'Fine Arts' in the Wei, Jin, Southern and Northern Dynasties.
Abstract
In the 20th century, from the "The Theory of Decline of Chinese Painting" to the birth of Chinese "National-Style Painting", 'Literati Painting' has always been regarded as the core concept in the history of Chinese painting. However, 'literati painting' is not actually an art concept handed down from ancient painting theories, but a "new concept" formed in modern Japan through the interpretation of 'The Theory Of Northern And Southern Models'. But why did the Japanese concept of 'literati painting' become the standard of Chinese 'National-Style Painting'? In this paper, we first discuss the critical attitude of Japanese scholars towards 'Literati Painting' and the revival of 'Japanese Painting' during the Meiji period. To investigate the origin and development process of the concept of'Literati Painting' in Japan. Second, it discusses the viewpoints put forward by the Reform School and the Traditional School of Painting around the improvement of Chinese Painting. Third, from the perspective of ‘Fine Art', it clarifies that the modern Japanese art system formed in Japan under the influence of 'Pan-Asianism' is actually a value judgment formed by comparing the visual form of Western art from the standpoint of the 'Eastern Other'.Finally, it analyzes the problems existing in Japan's modern art system. It expounds the similarity between the "consciousness of art" and the principles of 'Fine Arts' in the Wei, Jin, Southern and Northern Dynasties.
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