≪萬曆野獲編⋅婦女≫ 飜譯 및 註釋(3)
Annotated and Translation of Wanliyehuobian⋅Funü(萬曆野獲編⋅婦女)(3)
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Shen Defu(沈德符)’s Wanliyehuobian(萬曆野獲編) details the ancient laws and regulations of the Ming Dynasty, various characters and their anecdotes. This is Biji(筆記), which is unofficial history-based, give assistance to correct mistakes and omissions in Mingshi(明史), Mingshilu(明實錄) and so on. The “funü(婦女)” section in Wanliyehuobian(萬曆野獲編) consists of a total of 30 volumes is the parts of 23 volumes. This paper verifies the academic value by translating seven episodes, “Loujiangsiwang(婁江四王)”, “Huangquwubingbu(黃取吾兵部)”, “Nülangyinyong(女郞吟詠)”, “Furennengshiyi(婦人能時藝)”, “Dufubujuesi(妬婦不絕嗣)”, “Shenguideshenhou(沈歸德身後)”, and “Yanji(燕姬)”. These seven episodes describe various female images of the Ming Dynasty and deal with female figures of high class and lower level, including women Taoist priest, jinü(妓女) and high-ranking official’s wife. Shen Defu(沈德符) makes records of these women and reveals their positive and negative aspects. This reflects Wanliyehuobian(萬曆野獲編)’s unofficial historicality by shedding light on women’s lives objectively. As above, Shen Defu(沈德符) gives a true-to-life description of women’s lives. They are gaining credibility and empathy from their readers by using literary expressions such as description, analogy, contrast, direct quotation, and effective artistic expression. This is an important part of the study of Wanliyehuobian(萬曆野獲編)’s historical and literary value.
Abstract
Shen Defu(沈德符)’s Wanliyehuobian(萬曆野獲編) details the ancient laws and regulations of the Ming Dynasty, various characters and their anecdotes. This is Biji(筆記), which is unofficial history-based, give assistance to correct mistakes and omissions in Mingshi(明史), Mingshilu(明實錄) and so on. The “funü(婦女)” section in Wanliyehuobian(萬曆野獲編) consists of a total of 30 volumes is the parts of 23 volumes. This paper verifies the academic value by translating seven episodes, “Loujiangsiwang(婁江四王)”, “Huangquwubingbu(黃取吾兵部)”, “Nülangyinyong(女郞吟詠)”, “Furennengshiyi(婦人能時藝)”, “Dufubujuesi(妬婦不絕嗣)”, “Shenguideshenhou(沈歸德身後)”, and “Yanji(燕姬)”. These seven episodes describe various female images of the Ming Dynasty and deal with female figures of high class and lower level, including women Taoist priest, jinü(妓女) and high-ranking official’s wife. Shen Defu(沈德符) makes records of these women and reveals their positive and negative aspects. This reflects Wanliyehuobian(萬曆野獲編)’s unofficial historicality by shedding light on women’s lives objectively. As above, Shen Defu(沈德符) gives a true-to-life description of women’s lives. They are gaining credibility and empathy from their readers by using literary expressions such as description, analogy, contrast, direct quotation, and effective artistic expression. This is an important part of the study of Wanliyehuobian(萬曆野獲編)’s historical and literary value.
참고문헌 (16)
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