혜강(嵇康) 현언시(玄言詩)에 나타난비조(飛鳥) 의상(意象) 표현의 화용(化用) 고찰 — ≪시경(詩經)≫과 ≪초사(楚辭)≫의 화용을 중심으로
A Study on Verse Transforming of the Image of Flying Bird in Ji Kang’s Metaphysical Poems: Focusing on Book of Odes and Song of Chu
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper aims to investigate verse transforming of the image of flying bird in Ji Kang’s metaphysical poems, focusing on Book of Odes and Song of Chu. Through this study, it can be confirmed that verse transforming of Book of Odes and Song of Chu were used in the image of flying bird in Ji Kang’s metaphysical poems. Also it can be defined that this aspect is a characteristic of Ji Kang’s metaphysical poems, which differs from metaphysical poems of Jin Dynasty. This is because existing studies have revealed that metaphysical poems of Jin Dynasty are not related to the form of Book of Odes and Song of Chu. As Ji Kang’s poems represent metaphysical poems of Wei Dynasty, verse transforming of Book of Odes and Song of Chu in Ji Kang’s Metaphysical Poems is a very important rhetoric. The method of verse transforming is a form of borrowing and combining phrase in Book of Odes or imitating the image of flying bird in Song of Chu. In addition, Ji Kang expressed his metaphysics ideology in metaphysical poems through verse transforming of Book of Odes and Song of Chu. That content is about realizing the principles of nature and one’s nature through poetry writing.
Abstract
This paper aims to investigate verse transforming of the image of flying bird in Ji Kang’s metaphysical poems, focusing on Book of Odes and Song of Chu. Through this study, it can be confirmed that verse transforming of Book of Odes and Song of Chu were used in the image of flying bird in Ji Kang’s metaphysical poems. Also it can be defined that this aspect is a characteristic of Ji Kang’s metaphysical poems, which differs from metaphysical poems of Jin Dynasty. This is because existing studies have revealed that metaphysical poems of Jin Dynasty are not related to the form of Book of Odes and Song of Chu. As Ji Kang’s poems represent metaphysical poems of Wei Dynasty, verse transforming of Book of Odes and Song of Chu in Ji Kang’s Metaphysical Poems is a very important rhetoric. The method of verse transforming is a form of borrowing and combining phrase in Book of Odes or imitating the image of flying bird in Song of Chu. In addition, Ji Kang expressed his metaphysics ideology in metaphysical poems through verse transforming of Book of Odes and Song of Chu. That content is about realizing the principles of nature and one’s nature through poetry writing.
참고문헌 (27)
- 王逸章句, "楚辭章句" (2010), 藝文印書館
- 嵇康, "嵇康集校注" (2014), 中華書局
- 檀道鸞, "續晉陽秋" (2021), 黃氏逸書考
- 鍾嶸, "詩品集注" (2019), 上海古籍出版社
- 房玄齡, "晉書" (2003), 中華書局
- 朱熹, "詩集傳" (2011), 中華書局
- 郭慶藩, "莊子集釋" (1989), 中華書局
- 魯迅, "嵇康集" (2018), 朝華出版社
- 朱謙之, "老子校釋" (2000), 中華書局
- 莊萬壽, "嵇康年譜" (1981), 三民書局
- 王瑤, "王瑤全集" (2000), 河北敎育出版社
- 陳順智, "東晉玄言詩派硏究" (2003), 武漢大學出版社
- 胡大雷, "玄言詩硏究" (2007), 中華書局
- 張廷銀, "魏晉玄言詩硏究" (2008), 商務印書館
- 何光順, "魏晉玄言詩硏究" (2011), 暨南大學出版社
- 黃偉論, "六朝玄言詩史論(上)" (2013), 花木蘭文化出版社
- 寧宇, "古代"詩經"接受史" (2014), 齊魯書社
- 陳平原, "中國散文小史" (2019), 北京大學出版社
- 錢志熙, "魏晉詩歌中的飛翔形象", 文學遺產, (5) (1989)
- 張廷銀, "心靈現實的藝術透視――從稽康詩歌的意象看他的心靈曆程", 西北師大學報, (4) (1995)
- 張廷銀, "稽康、陶淵明詩歌飛鳥意象比較", 固原師專學報, (1) (1996)
- 白振奎, "從“外野孤鴻”到“翼翼歸鳥”――嵇、阮與陶淵明的心路曆程一瞥", 中國韻文學刊, (1) (2001)
- 陳婧, "孤鴻: 長鳴於繁世――從意象事物“鳥”探析嵇康詩的主題", 文教資料, (24) (2008)
- 孔榮, "阮籍和嵇康詩歌中鳥的意象", 信陽農業高等專科學校學報, (3) (2009)
- 王大恒, "論嵇康詩歌中的飛鳥意象", 長春師範學院學報, (9) (2009)
- 李涔, "論建安詩歌化用的特點與手法", 文化學刊, (7) (2020)
- "漢典"[URL]
