『艮齋集』과 艮齋學派 문집 체제의 특징과 그 의미

Abstract

Anthologies during the Joseon Dynasty were stored by first dividing literature production into shigo [Chinese poetry including cifu, in other words verses] and mungo [prose works], and accordingly, it has been divided into the main categories of shigwon [collection of poems] and sanmungwon [collection of proses] and shigwon were placed in the front and sanmungwon in the back. Since the Toegyejip, the weight of letters became much larger and therefore, it became inevitable but to independently compiled anthologies not only with shigwon and sanmungwon, but in a form of seogwon [collection of letters] by taking out the letters separately from the sanmungwon. However, with the Teogyejip being compiled and published in compliance with the ‘Jujadaejeon’ system, seogwon was not completely separated from existing sanmungwon, but into a semi-independent format, or in other words, prose works were compiled in the order of ‘common letters → letters → general proses’. Anthologies were compiled into the system of ‘shigwon→sanmungwon (common letters)→seogwon→sanmungwon (general prose).’ The first anthology that was compiled into a collection of letters completely independent from sanmungwon was ‘Ganjaejip.‘ ’Ganjaejip’ is a certainly distinguished anthology from Toegyejip, which is an anthology of the ‘scholar of forests,’ and Yulgokjip, which is an anthology of ‘scholarly bureaucrats.’ In a reality where it was difficult to leave behind administrative letters, letters as ethics letters became the anthology that became the model for ‘scholars of the wilderness’ that solved most of the issues at the time including academic problems, and furthermore, it was an anthology that vastly increased the weight of letters from Toegyejip that focused on letters. Basically, at a time when the doctrines of Chutzu and the Chinese classics began cease to exist, an anthology that was even more thoroughly based on the doctrines of Chutzu and the Chinese classics appeared. In addition to this, Ganjaejip it followed the Sagyeyungo and Dongchundangjip that were compiled by being modeled after the system that compiled the shigwon into 10 books from Yulgokjip and placed the Chinese poetry pieces at the end of the anthology, thereby compiliing Chinese poetry at the end of the anthology to show the Shihwanggye, which are teachings of the four writings that were passed down within the Yulgok school since Kim Jang-saeng. Furthermore, the list arrangement method of the Yulgokjeonseo was applied to the list arrangement method in its appearance, and thus, the complete catalogue of books of all writings were placed in the front and the list of each book was included in the very front of each book, differentiating it clearly from Teogyejip style anthologies. It clearly shows that it is an anthology of the Yulgok school style even in the appearance of the anthology. Through this, Jeon Woo compiled his anthology Ganjaejip with such system to pronounce that he is the official heir of the Yulgok/Uam School that was passed down in the order of ‘Yi I→Kim Jang-saeng→Song Shi-ryeol→Kim Chang-hyeop→Kim Won-haeng→Park Yoon-won→Hong Jik-pil→Lim Heon-hoe’ while also clarifying that as a scholar, he is the official heir that was passed down in the order of ‘Cho Gwang-jo→Lee Hwang→Yi I’. Since the Ganjaejjip was compiled and published, the anthologies of those from the Ganjae School and especially the anthologies of direct students observed this system during compilation and publication.