《情史》의 국내 수용 과정에 관한 試論 ― 고려대 소장본 《情史彙珠》를 중심으로

Abstract

This research reviewed the acceptance process of an anthology of classical-language stories Qinshi (history of love, 情史) which appeared in Late Ming dynasty of China into Korea. Unlike the existing anthologies such as Chengsa-jabseon (a random collection of Cheonsa), Chengsa-yuliakcho (a random collection of Chengsa-yuliak) that already have annotated before, I introduced the basic characteristics of anthology called Chengsa-huiju (a special collection of Chengsa) which were not mentioned in the academia in meantime. Related to the acceptance of Qingshi in Korea, according to the book index of royal library such as Yolgoguanseomok, Yungmulluseomok, Daechukguanseomok and the record of the writers including Yun Deokhee⋅Lee ok⋅Song Laehee⋅Ji Gyusik, the acceptance process in Korea is evidently confirmed. I focused on the reference that Ji Gyusik mentioned in Hajae’s diary “I have copied things in Qingshi in Korean that were worthy to look through.” “I decorated the cover of selected Qingshi and gave it to Chunheon.” and considered the possibility of relevance between the translation collections and collection of poems such as Chengsa-Huiju and Chengsa-jabseon. Especially in the Qingshi anthology restored in Korea, Chengsa-huiju and Chengsa-jabseon two collection of poems are an anthology of classical language stories, In the context, they have selected poem instead of story in Qingshi, The criteria of selection is not specific. the system is not strict and there are several mistakes in the process in re-writing. However, considering the fact that there are almost no reliable evidence about the writer of these two anthologies or the production period. Therefore, the relation issue between Ji Gyusik above-mentioned cannot but be abstract. I have suggested the issues expecting the research to be extended in the future. On the other hand, I have compared the anthologies and translations also in Japan. For example, Joushi shō (a random collection of Joushi) which recorded the 107 stories and Tsuuzoku joushi (a popular collection of Joushi) which translated some selected pieces. In result, it was not easy to understand the specific standards for selection through comparing each anthology. For these reasons, the primary aim of this research was to investigate the character of Chengsa-huiju that we have newly discovered. We have generally looked through the related issues by comparing this character to other anthology and continue to examine the left issues from now on.