申緯의 詩人意識과 技法으로서의 詩學

Abstract

The purpose of this paper is to study a characteristic phase of Shin Wi(申緯), one of the representative poets of later period of Chosun Dynasty. As we know, during this period, there arises several derivatives of literary tastes between the poets of the territory of HanYang(漢陽) and the Provincial ones. And Sin Wi was the most prominent poets of the former groups. In chapter 1, surveying as a poet how strong his self-consciousness is, we make it a major premise for more discussion. In chapter 2, surveying the aspect of expressing Seven-Syllabic Code Verse(七言律詩) which cling to the same foot in the latter parts of MuInRok(『戊寅錄』) of Kyungsudangjeongo(『警修堂全藁』), the complete poems of Sin Wi, we are endeavored to read Sin Wi's self-image, boasting of his poetic techniques. The former part of chapter 3, we survey the poetic works which is dealt with consoling his acquaintances. We noticed that he composed his poetic works at his acquaintances ardent request or his own will to console them and relate their stories through his poems with a sense of poetic mission. In the latter part of chapter 3, we survey the aspect of his displaying poetic ability. through his poetic works based on certain specific festivals that he saw and experienced, he produced a linguistic memorial. In chapter 4, we summarize aforementioned discussions. Furthermore, while the Neo-Confucianists valued Tao(道) more than techniques(技), some intellectuals in HanYang including Sin Wi valued (artistic) techniques as well as Tao. Also, we argued that to approach Sin Wi's sense of poet and his aforementioned poetical works, we should understand them under this background.