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How Are Various Types of Picturebook Dynamics Semiotically Interpreted?

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Picturebooks are a very special genre in that words and pictures cooperate to create the intended message of the authors/illustrators. Words and pictures often do not deliver the exact same message. It is this discrepancy which creates the tension and interest, which prompts readers to enjoy interpreting the message while moving from verbal to visual signs and vice versa, that is, visual to verbal signs. The existing literature separately deals with the categorization of word-picture interactions and the reader’s interpretation process while switching from one sign system to the other. This paper addresses the categorization and the interpretation simultaneously. It illustrates how three different types of the word-picture interaction are interpreted when readers switch their attentions from words to pictures and from pictures to words with the picturebooks A Big Fat Enormous Lie; The Little Mouse, the Red Ripe Strawberry, and the Big Hungry Bear; and All By Myself.

Abstract

Picturebooks are a very special genre in that words and pictures cooperate to create the intended message of the authors/illustrators. Words and pictures often do not deliver the exact same message. It is this discrepancy which creates the tension and interest, which prompts readers to enjoy interpreting the message while moving from verbal to visual signs and vice versa, that is, visual to verbal signs. The existing literature separately deals with the categorization of word-picture interactions and the reader’s interpretation process while switching from one sign system to the other. This paper addresses the categorization and the interpretation simultaneously. It illustrates how three different types of the word-picture interaction are interpreted when readers switch their attentions from words to pictures and from pictures to words with the picturebooks A Big Fat Enormous Lie; The Little Mouse, the Red Ripe Strawberry, and the Big Hungry Bear; and All By Myself.

참고문헌 (22)

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  2. Doonan, J., "Looking at pictures in picture books" (1993), Thimble Press
  3. Golden, J. M., "The narrative symbol in childhood literature" (1990), Mouton
  4. Lewis, D., "Picturing text: The contemporary children’s picturebook", pp.2001, Routledge
  5. Moebius, W., "Introducing to picturebook codes", Words and Images: A Journal of Verbal, 1986, pp.2(2), 141~158
  6. Nikolajeva, M., "How picturebooks work" (2000), Garland
  7. Nikolajeva, M., "The dynamics of picturebook communication", Children's Literature in Education, 31(4), pp.225~239 (2000)
  8. Nodelman, P., "Words about pictures. The narrative art of children's picture books" (1988), The University of Georgia Press
  9. Peirce, C. S., "Philosophical writings of Peirce", pp.98~119 (1955), Dover Press
  10. Schwarcz, J. H., "Ways of the illustrator: Visual communication in children's literature" (1982), American Library Association
  11. Schwarcz, J. H., "The picture book comes of age" (1991), American Library Association
  12. Siegel, M., "More than words: The generative power of transmediation for learning", Canadian Journal of Education, 20(4), pp.455~475 (1995)
  13. Sipe, L. R., "How picture books work: A semiotically framed theory of text-picture relationships", Children's Literature in Education, 29(2), pp.97~108 (1998)
  14. Wolfenbarger, C. D., "A unique visual and literary art form: Recent research on picturebooks", Language Arts, 83(3), pp.273~280 (2007)
  15. Cole, Barbette, "Princess smartypants" (1987), Putnam Juvenile
  16. Kitamura, Satoshi, "Lily takes a walk" (1987), Dutton Juvenile
  17. Mayer, Mercer, "All by myself" (1983), A Golden Book
  18. Potter, Beatrix, "The tale of Peter Rabbit" (1902), Warne
  19. Sendak, Morris, "Where the wild things are" (1963), HarperCollins Publishers
  20. Sharman, Marjorie Weinman, "A big fat enormous lie" (1978), Scholastic
  21. Steig, William, "Sylvester and the magic pebble" (1969), Windmill Books
  22. Wood, Don, "The little mouse, the red ripe strawberry, and the big hungry bear" (1984), Child's Play

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