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로렌스의 후기소설 재조명 —ꡔ캥거루ꡕ를 중심으로—

A Reappraisal of D.H. Lawrence's Later Novel Kangaroo

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A Reappraisal of D.H. Lawrence's Later Novel Kangaroo Chung, Ho-Young(Dongshin Univ.) D.H. Lawrence's later novels Aaron's Rod, Kangaroo, and The Plumed Serpent make up a trilogy. So far many of Lawrence's critics have regarded the trilogy as ‘leadership novels,' focusing solely on the single issue of power. However, there are two more issues in these novels that are equally important - selfhood and sexuality - on which Lawrence lays equal emphasis. This paper attempts to confirm Lawrence's vision of complete accord of the three vital forces by analyzing the second novel in the trilogy, Kangaroo. Kangaroo as a whole seems to be possessed by indifference. In regard to the goals of renewal and accord, it appears as a great lull between the pulses of Aaron's Rod and The Plumed Serpent. No balance is achieved in Kangaroo: instead, there is a fierce struggle between the principle of power and that of selfhood. It is noticeable that in the struggle Somers, the champion of selfhood, wins over Kangaroo, who represents the principle of power. Kangaroo thus functions as the bridge which links Aaron's Rod with The Plumed Serpent. After the long rest-condition of Kangaroo, the complete accord of the three vital forces seems to be achieved in The Plumed Serpent, realizing Lawrence's vision at last.

Abstract

A Reappraisal of D.H. Lawrence's Later Novel Kangaroo Chung, Ho-Young(Dongshin Univ.) D.H. Lawrence's later novels Aaron's Rod, Kangaroo, and The Plumed Serpent make up a trilogy. So far many of Lawrence's critics have regarded the trilogy as ‘leadership novels,' focusing solely on the single issue of power. However, there are two more issues in these novels that are equally important - selfhood and sexuality - on which Lawrence lays equal emphasis. This paper attempts to confirm Lawrence's vision of complete accord of the three vital forces by analyzing the second novel in the trilogy, Kangaroo. Kangaroo as a whole seems to be possessed by indifference. In regard to the goals of renewal and accord, it appears as a great lull between the pulses of Aaron's Rod and The Plumed Serpent. No balance is achieved in Kangaroo: instead, there is a fierce struggle between the principle of power and that of selfhood. It is noticeable that in the struggle Somers, the champion of selfhood, wins over Kangaroo, who represents the principle of power. Kangaroo thus functions as the bridge which links Aaron's Rod with The Plumed Serpent. After the long rest-condition of Kangaroo, the complete accord of the three vital forces seems to be achieved in The Plumed Serpent, realizing Lawrence's vision at last.

참고문헌 (11)

  1. 김명혁, "D.H. 로렌스의 장편소설 연구" (2002), D.H. 로렌스의 장편소설 연구
  2. 정호영, "로렌스의 “지도자 소설” 재평가 : Aaron's Rod를 중심으", D.H. 로렌스 연구, 10(2), pp.161~180 (2002)
  3. Alexander, Joh, "D.H. Lawrence's Kangaroo: Fantasy, Fat or Fiction", Meanjin Quarterly, 24, pp.179~197 (1965)
  4. Becket, Fiona, "The Complete Critical Guide to D.H. Lawrence" (2002), New York: Routledge
  5. Burke, Kenneth, "The Philosophy of Literary Form" (1957), New York: Vintage Books
  6. Lawrence, D. H, "Aaron's Rod" (1980), Harmondsworth, Middlesex: Penguin Books Ltd.
  7. "Kangaroo" (1980), New York: Penguin Books
  8. "The Plumed Serpent" (1981), New York: Penguin Books
  9. Moore, T. Harry, "The Plumed Serpent: Vision and Language( D. H. Lawrence: A Collection of Critical Essays.Twentieth Century Views)" (1963), Englewood Cliffs: Prentice Hall
  10. Spilka, Mark, "D. H. Lawrence", University of Kansas City Review, 21, pp.291~299 (1995)
  11. Vivas, Eliseo, "D. H. Lawrence: The Failure and the Triumph of Art" (1960), Evanston: Northwestern UP

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