남아공 샤퍼빌 대학살 사건과 로버트 소북웨—베시 헤드의 <아기 예수의 도래>
Sharpeville Massacre in South Africa and Robert Sobukwe: Bessie Head’s “The Coming of the Christ-Child”
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This thesis aims to examine the life of Robert Sobukwe, who devoted himself to black people, by reading the problems of the apartheid era in South Africa through the novel “The Coming of the Christ-Child” by an African mixed-race female writer, Bessie Head. In addition, this discussion emphasizes that Head’s narrative is an important text that redefines the identity of black and mixed-race people and ultimately diagnoses the conflicting views of violence/non-violence resistance surrounding the passage law. The novel focuses on the life of Sobukwe, a black activist who lived a life of hardship, classified as a “dangerous” person from the South African government in the process of dedicating himself to abolish the apartheid policy. Based on the life of the protagonist, Head embodies the journey and dilemma in which blacks are reborn as subjects of creating a new history of South Africa with resistance and solidarity. This paper will discuss the important reasons for listening to the narratives of the first generation of African female mixed-race writers through the violence in the apartheid era and the response of black people.
Abstract
This thesis aims to examine the life of Robert Sobukwe, who devoted himself to black people, by reading the problems of the apartheid era in South Africa through the novel “The Coming of the Christ-Child” by an African mixed-race female writer, Bessie Head. In addition, this discussion emphasizes that Head’s narrative is an important text that redefines the identity of black and mixed-race people and ultimately diagnoses the conflicting views of violence/non-violence resistance surrounding the passage law. The novel focuses on the life of Sobukwe, a black activist who lived a life of hardship, classified as a “dangerous” person from the South African government in the process of dedicating himself to abolish the apartheid policy. Based on the life of the protagonist, Head embodies the journey and dilemma in which blacks are reborn as subjects of creating a new history of South Africa with resistance and solidarity. This paper will discuss the important reasons for listening to the narratives of the first generation of African female mixed-race writers through the violence in the apartheid era and the response of black people.
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