매체 양식에 의한 고소설의 변이 양상 연구 - <조생원전>, <구의산>, <김씨열행록>을 중심으로

Abstract

This study attempts to explore the existence patterns of classical novel in the times of coexistence classical novel and modern novel. For this, the objects of research are the <Cho‒Saeng‒Won‒Jeon>, <Gu‒Ui‒San>, and <Kim‒Ssi‒Yeol‒Haeng‒Rog>. These are different to the structure of narration, a title and a print media in spite of the same motive. In other words, although the three novels have a common motive of ‘the stepmother who killed the child by the husband’s former wife in bridal room,’ but these different to the print media each other. <Cho‒Saeng‒Won‒Jeon> is a manuscript of unknown authorship and era. But <Gu‒Ui‒San> is a serial story that was published in a series in Mai‒il Shinbo on 1911 and <Kim‒Ssi‒Yeol‒Haeng‒Rog> is a printed book that was published by Deachangsewon in 1919. <Cho‒Saeng‒Won‒Jeon>, which is a manuscript with the strong tendency of Gasa‒Style, has indicated the one side of enjoyment in late Joseon Era. The manuscript classical novels for communal reading are the characteristic of the ideality, fantasy, surrealism about the setting‒up a situation and a solution plan. <Gu‒Ui‒San> appeared the stereoscopic figure of characters and have got a description form to put emphasis on newness of the course of events. These features have to do with newspaper’s role do the realization of human form as modern individual. Thus this study evaluate that <Gu‒Ui‒San> reflected the newspaper novel discourse of the enlightenment including a modernity and a civilization. <Kim‒Ssi‒Yeol‒Haeng‒Rog> has feature that is enhanced the role of female with the expansion of description structure. <Kim‒Ssi‒Yeol‒Haeng‒Rog>, what has got a overlapped description structure and a cruel situation description, have relevance to the commercial viability of a printed classical novels. Furthermore,<Kim‒Ssi‒Yeol‒Haeng‒Rog> is influenced by the sexuality and the popular nature of soap opera. The <Gu‒Ui‒San>as a serial story and the<Kim‒Ssi‒Yeol‒Haeng‒Rog> as a printed book reflects a historic and architectural discourse as like modern individualization, generalization and scientification. But <Cho‒Saeng‒Won‒Jeon> has not reflected it. Therefore, this study emphasize that classical novel is not disappeared but changed into the structure of narration, a title and a print media depending on the needs of the times and the changed character of media.