「김씨열행록」의 서사적 전통과 소설적 변용

Abstract

This article examines the novel development and meaning of Kim's Yeol Haeng-rok, which succeeds the story of ‘First Night Groom Killing’. First, I've typized folk tales, and looked at what type of story Kim's Yeol Haeng-rok was focused as a novel. Based on this, the changes of the novel and the significance of literary history were examined. The story of “The First Night Groom Killing Type” can be divided into martyred type, maintaining integrity type, virtuous woman type, with a focus on female brides. The martyred type is based on the death of the bride, the maintaining integrity type is based on the survival and activity of the bride, and the irtuous woman type is mainly based on the survival and activity of both the groom and bride. The martyred type was created mainly by the father-in-law who was the only surviving person, which is shown at Samyeongdang-jeon. The maintaining integrity type was based on the surviving bride and son. Josaengweon-jeon Seongbuin-jeon Kim's Yeol Haeng-rok, Juyuok-jeon is the representative piece. And the virtuous woman type was made using the bride and husband, and was significantly successful with new-style novel Gueusan. The latter part of the work is noted in the novel variation of Kim's Yeol haeng-lok. This is a big change in the story. The story is complicated by the characters changing from flatness to three-dimensionality, from deviance to individuality, and overwriting the same structure on the simple structure of misery and happiness in events. In the case of the theme, it added the didactic morality and confucian rich resonance through the opposition of good and evil in the first half, which emphasized only filial duty and virtuous thing. It may be the phenomenon of novel techniques, but it may be the result of mending the subtypes of heterogeneous novels. In 1928, Kim's Yeol Haeng-rok was produced, and the classic novels Josaengweon-jeon, Seongbuin-jeon, Juyuok-jeon and Samyeongdang-jeon were already produced. However, despite the latest production, the work faithfully follows the writing of classical novels. It is also a new way of making interests rather than causal logic. On the other hand, this work focuses on the female hero novels in the first half, the home novels and male hero novels in the second half, and the litigarion novels in the total situation. This is a convergence and reorganization of the types of classic novels that were popular at the time.