<정읍(井邑)> 전승사에서 ‘정읍’의 장소성에 대한 인식 변화 양상

Abstract

This article was written focusing on various meaning development of ‘Jeongeup’ while <Jeongeup>was transmitted by both royal court and private from Baekje dynasty until latter part of Josun dynasty. The meaning of placeness of ‘Jeongeup’ could be examined mainly by four aspects in the process of transmission. In the first formation phase, ‘Jeongeup’ was given the meaning of the place of memorial gate being the image of women that wives should follow their husband was translated into the meaning of loyalists' love-songs for the King assuming the structure of Male:Female=King:Subject. Second as the phase of expansion & preservation of the first meaning, ‘Jeongeup’ being the exemplary of medieval ruling order while acquiring the artistic sophistication and accomplishments as the court musical & dancing expanded its boundaries to Gaegyeong of Koryo, Hanyang of Josun, and Ming, as such it was recorded in the 「Gyongguk Daejon」-law book of Josun dynasty and Akhakgwebeom, -illustrated text on traditional music. Third being the phase <Jeongeup> and ‘Jeongeup’ to be replaced losing their status so far driven by the argument of the characteristics of a licentious sacrifice during Joongjong dynasty to be disappeared even to its meaning of the placeness impairing its transmission value the fidelity and loyalty. However, even if <Jeongeup> and ‘Jeongeup’ were perceived negatively by arguers of a licentious sacrifice, it could be regarded that the possibility for interpretation of ‘Jeongeup’ can be deemed as widened with a view that it offered a chance to have a fresh look about <Jeongeup>. Fourth is the phase <Jeongeup> and ‘Jeongeup’ were resurrected in the royal banquets but to be remained as sad stuffs where not in the court mainly in Sookjong dynasty as such ‘Jeongeup’ was resurrected in the royal banquets but with an old appearance, and had been depicted as fallen leaves containing longing and resentment in the akbusi, jiriseo, encyclopedia etc. Those meanings eventually can be regarded to have comprised as the history of transmission the subjects of <Jeongeup> such as ‘lyricism of waiting’, ‘eumseoljisa’ or ‘resentment’ presented so far.