퇴계 이황 <심통성정도(心統性情圖)>의 후대 전승에 관한 연구

Abstract

The purpose of this thesis is to examine how Toegye's <Simtongseongjeongdo> was transmitted in Joseon academia after Toegye. To this end, two themes were specified. First, what is the final orientation of Inuiyeji(仁義禮智) marked in Toegye's <Simtongseongjeongdo>? And how is this direction inherited in <Simtongseongjeongdo> produced later? Second, is <Simtongseongjeongdo> produced after Toegye inherited only the form of Toegye or is it produced in other forms as well? The discussion on the above topic is summarized as follows. The final opinion of Toegye's <Simtongseongjeongdo> is that the top is north and Ji (智), the bottom is South and Ye (禮), the right side is East and In (仁), and the left side is West and Ui (義). In addition, <Simtongseongjeongdo> after Toegye was produced by several scholars, and its aspects are classified into four types. The first is Doseol, which inherited the form of Toegye <Simtongseongjeongdo>. The second is a different type of <Simtongseongjeongdo>, in which the title is the same but the degree is different. The third is Doseol, which has a different name but inherits the form of Toegye. The fourth case is the same as Toegye's direction notation. As a result, the direction of Inuiyeji(仁義禮智) marked in the final version of Toegye is inherited only by Jeong Sihan's <Simtongseongjeongdo>. Lee Jae-hyung's Doseol is the only one that inherits this direction from other types of Doseol. Also, <Simtongseongjeongdo> produced after Toegye does not exceed 10 pieces. Among them, not only Toegye's form, but also <Simtongseongjeongdo>, which imitated the form drawn by Jeongboksim, was also produced.