조선후기 회화를 통해본 ‘욕망’의 계기 — 신윤복의 풍속화를 중심으로 —

Abstract

This thesis analyzes a genre paintings of Shin Yoon Bok from the late Joseon dynasty related to literary ideologies. Up to now, studies of artist Shin Yoon Bok centered around stylsitic analysis and therefore did not properly understood his works. A research centered around stylsitic analysis can overlook the artists identity and sensitivity. In order to apprehend the identity and sensitivity of the artist we need to examine the changes in literary ideologies. Unlike China, during Joseon period theory of art was never systematically discussed and mostly mentioned in the literary theory. Thus, to properly analyze the latter part of the Joseon dynasty paintings, changes in the literary theory needs to be premise. In the latter part of the Joseon dynasty's Chungi theory(天機論) and Domoon Bunri theory(道文分離論), it emphasizes individuality and originality and pursuit "Jin(眞)" concept. This is due to literary ideologies of Gongan party. Especially humans affirmation of desires appear in artist Lee Ok and Shin Yoon Bok. In Shin Yook Bok's work, instead of order in social status, he focuses on the equality between man and woman, and one's true colors. This is to say that by imposing Neo-confucianism ideology was main cause of threat to feudal society of Joseon dynasty. Therefore, this attempt of analyzing artist Shin will able to get a new viewpoint of understanding his genre painting.