근대 한일아동문학 유입사 연구 -일본 동요 장르의 한국으로의 수용-

Abstract

In his preceding dissertation that investigated the genre of Japanese nursery tale, this researcher investigated the feature where uniqueness of the country is combined by borrowing terms from German children’s literature when initial children’s literature was born in Japan. It was found that poets stimulated by Western theory, view on children, etc in the nursery rhyme, combined the uniqueness of traditional nursery rhyme, tone and rhythm, etc which have been descended as they were inherent in the personality of each person and the country. Compared to the terms, ‘nursery rhyme’ that is prevalently used in Japan,the terms ‘children’s verse’ is widely used in Korea on the basis of strong key word, ‘reality’. Meanwhile, the influence that the early poets and theorists of Japan such as Kitahara Hakushu, Saijo Yaso, Noguchi Ujo, et al on the Korean nursery rhyme could be confirmed by concrete theory. It is observed that Saijo Yaso’s ‘Canaria’ and ‘Sparrow without mom’simulatively created by Koh Han Seung which were investigated with specific nursery rhyme in the aspect of accepting nursery rhyme of Japan to Korea,accepted the form, but showed independence in the contents. While Saijo Yaso’s ‘Canaria’ symbolizes the individual despair and regeneration of human that loses the original shape, Koh Han Seung symbolically describes the maternity and love between mom and children through sparrow and the hope that the national sovereignty could can be recovered without fail although the country is miserable and piteous like small bird, as it is swayed by Japan.