衛恒 《四體書勢》의 역사적 의의 ― 許愼의 書體論에서 衛恒의 書勢論으로 ―
Research on the Chinese Script Forms in Weijin魏晉 Dynasties; through the study of Xushen許愼's Shuowenjiezi說文解字 and Weiheng衛恒’s Sitishushi四體書勢
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The writing style and the power of strokes in the sphere of writing Chinese characters, respectively 書體shuti and 書勢shushi, developed their own theories from 漢Han dynasty to 魏晉Weijin dynasties. In Shuowenjiezi說文解字, Xushen許愼 explained eight styles of Qin秦 and six styles of Wangmang王莽. In Sitishushi四體書勢, Weihang衛恒 explained current four styles and the power of strokes depending on the style. This paper aims to investigate the process that how the transition from shuti to shushi came true, and how the theory of shushi was established.
Abstract
The writing style and the power of strokes in the sphere of writing Chinese characters, respectively 書體shuti and 書勢shushi, developed their own theories from 漢Han dynasty to 魏晉Weijin dynasties. In Shuowenjiezi說文解字, Xushen許愼 explained eight styles of Qin秦 and six styles of Wangmang王莽. In Sitishushi四體書勢, Weihang衛恒 explained current four styles and the power of strokes depending on the style. This paper aims to investigate the process that how the transition from shuti to shushi came true, and how the theory of shushi was established.
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