근대전환기 ‘風流’인식으로 본 한국사상의 원형 문제

Abstract

This study examined how the concept of ‘Pung-ryu’ of Choi Chi-won came to be known in the modern era as the prototype of Korean thought or the identity of the nation. In the 1900s, modern thinkers sought to explain modern subjectivity through spiritual culture. As part of this, Pung-ryu of Choi Chi-won emerged from the viewpoint of forming modernity and identity of Korean culture. Therefore, recognizing the changing times, their perception of ‘Pung-ryu’ was one of the mental values ​​that could cope dynamically. The aspect is largely analyzed by the principle of culture and religion. Shin Chae-ho approached ‘Pung-ryu’ as a unique culture of the gallery. Choe Nam-seon and Jeong In-bo discussed ‘Pung-ryu’ in relation with ‘Bulu’ as a unique principle of faith. Jeong In-bo called ‘Bulu’ a national religion(國敎), and on the other hand, Choe Nam-seon interpreted it as an ancient Shinto(神道) based on his “” thought. Ahn Jae-hong is a scholar who has supplemented Choe Nam-seon’s relationship with ‘Bulu’ and ‘Pung-ryu’. Ahn Jae-hong acknowledged Choe Nam-seon’s “” thought as an ancient Shinto, and attempted to clarify that ‘Pung-ryu’ of Silla was transformed into ‘Bulu’. Furthermore, Hyeon Sang-yun discussed ‘Pung-ryu’ in the category of ‘Shinto’, and took a negative stance on its connection with ‘Bulu’. The recognition of ‘Pung-ryu’ by the modern thinkers thus far can be seen as an identification of the prototype of Korean thought. In other words, they revived ‘Pung-ryu’ with consilient(通涉) values ​​that answer material, spirit, time and space.