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<김희경전>과 <육미당기>의 상관성 - 남장결연담을 중심으로 -

A syudy on Correiation between Gimhuigyeongjeon and Yukmidanggi - Based on the love stories of women disguised in men -

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주제분류한국어와문학

초록

Among the heroine novels, Gimhuigyeongjeon, Bujangyangmunrok, and Yukmidanggi share a strong similarity that all of them are characterized by unique love stories of women disguised in men. And of the three novels, Gimhuigyeongjeon and Yukmidanggi hold a common characteristic in the organizational details comprising of the love stories of women in men; thus, it is undoubtedly acceptable that the two works have some direct influential relationship. The love stories of women in men owe their origin to the novels of wits and beauties in the period of Ching including Okgyori or Chunryuaeng. Various love stories of women in men have been used constantly in domestic novels as well since they were modified in Honghwabaekjeon or Changseongamuirok. Particularly, Gimhuigyeongjeon and Yukmidanggi have a strong similarity on the point that both describe precisely with independent narration and the process of the ‘woman and woman’s betrothal’s completion to the ‘man and woman’s betrothal’. From that, this article drew deduction that the ‘love story of Baek, Un-yeong and Seol, Seo-ran’ described in Yukmidanggi was created by modifying the ‘love story of Jang, Seol-bing and Yi, So-jeo’ in the latter part of Gimhuigyeongjeon.

Abstract

Among the heroine novels, Gimhuigyeongjeon, Bujangyangmunrok, and Yukmidanggi share a strong similarity that all of them are characterized by unique love stories of women disguised in men. And of the three novels, Gimhuigyeongjeon and Yukmidanggi hold a common characteristic in the organizational details comprising of the love stories of women in men; thus, it is undoubtedly acceptable that the two works have some direct influential relationship. The love stories of women in men owe their origin to the novels of wits and beauties in the period of Ching including Okgyori or Chunryuaeng. Various love stories of women in men have been used constantly in domestic novels as well since they were modified in Honghwabaekjeon or Changseongamuirok. Particularly, Gimhuigyeongjeon and Yukmidanggi have a strong similarity on the point that both describe precisely with independent narration and the process of the ‘woman and woman’s betrothal’s completion to the ‘man and woman’s betrothal’. From that, this article drew deduction that the ‘love story of Baek, Un-yeong and Seol, Seo-ran’ described in Yukmidanggi was created by modifying the ‘love story of Jang, Seol-bing and Yi, So-jeo’ in the latter part of Gimhuigyeongjeon.

참고문헌 (18)

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