사진, 닮음, 식별: 베르티옹 사진 연구
Photography, Resemblance, Identification: Research on the Photography of Bertillon
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This paper would like to question two fundamental concepts of the photography in criminal photos made by Alphonse Bertillon: first, the resemblance which is the principal characteristics of photography, second, the identification which is the basic function of the photography. This paper also aim to reveal the physical properties of photography, which make possible photographical resemblance and identification through photography. In an attempt to clarify the relation between photography, resemblance and identification, I don't want to lean on a semiotic, philosophical approach, nor on a socio-historical one, but rather on both historical and technical one. From here I come to three conclusion. First, photographical resemblance is due to the specific mode of production of photography, and to the structure of human eye and memory of watcher. Second, identification through photography reveal the different mode of visual perception between recognition of face and profile's. Lastly, identification of two photos signify not only the identity(similarity) of two photos, but also the identity(uniqueness) of the reference of two photos.
Abstract
This paper would like to question two fundamental concepts of the photography in criminal photos made by Alphonse Bertillon: first, the resemblance which is the principal characteristics of photography, second, the identification which is the basic function of the photography. This paper also aim to reveal the physical properties of photography, which make possible photographical resemblance and identification through photography. In an attempt to clarify the relation between photography, resemblance and identification, I don't want to lean on a semiotic, philosophical approach, nor on a socio-historical one, but rather on both historical and technical one. From here I come to three conclusion. First, photographical resemblance is due to the specific mode of production of photography, and to the structure of human eye and memory of watcher. Second, identification through photography reveal the different mode of visual perception between recognition of face and profile's. Lastly, identification of two photos signify not only the identity(similarity) of two photos, but also the identity(uniqueness) of the reference of two photos.
참고문헌 (19)
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