트라우마적 실제의 훈습으로서 사진의 공적 증언에 대하여 - 여기는 뉴욕: 사진의 민주주의 전의 분석 -
A Duplicitous Working-Through the Traumatic Real by Photographs as Public Testimony - Analysis of Here Is New York: A Democracy of Photographs -
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper explores the relationships between the media practice and photographs by mass public in and around post-9⋅11 pop culture in American society in order to reveal dialectic contract between the truamatic real and public mass memory. To achieve this purpose, the paper rereads popular exhibition Here Is New York: A Democracy of Photographs which opened right after 9/11 and showcased laypeople’s perspectives on the event, as a representative case of what comes after the evental poped-out the omni-present mediatic real metaphorically visualizes geo-politics. Hence, this paper will analyze the exhibition by rereading its democratic methodology and reinterpreting through the eye of psychoanalysis to enlighten mass memory and visuality inscribed in collective photographs at the exhibition, with the aim of understanding current U.S.’s cultural memory as the outcome of media practice at that time.
Abstract
This paper explores the relationships between the media practice and photographs by mass public in and around post-9⋅11 pop culture in American society in order to reveal dialectic contract between the truamatic real and public mass memory. To achieve this purpose, the paper rereads popular exhibition Here Is New York: A Democracy of Photographs which opened right after 9/11 and showcased laypeople’s perspectives on the event, as a representative case of what comes after the evental poped-out the omni-present mediatic real metaphorically visualizes geo-politics. Hence, this paper will analyze the exhibition by rereading its democratic methodology and reinterpreting through the eye of psychoanalysis to enlighten mass memory and visuality inscribed in collective photographs at the exhibition, with the aim of understanding current U.S.’s cultural memory as the outcome of media practice at that time.
참고문헌 (15)
- 정훈, "국가 정체성의 협상과 암시의 정치 - 클린트 이스트우드의 그랜토리노(2008)", 예술과 미디어, 9(1), pp.121~135 (2010), 한국영상미디어협회
- "Interview with Charles Traub, Here Is New York"[URL]
- Appadurai, Arjun, "Dead Certainty: Ethnic Violence in the Era of Globalization", Public Culture, 10, pp.225~47 (1998)
- Andén-Papadopoulos, Kari, "The Trauma of Representation: Visual Culture, Photo Journalism and the September 11 Attacks", Nordicom Review, 24(2), pp.89~104 (2003)
- Baudrillard, Jean, "The Ecstasy of Communication. In Postmodern Culture" (1985), Pluto
- Bronfen, Elisabeth, "Risky Resemblances: On Repetition, Mourning, and Representation. In Death and Representation edited by Sarah Webster Goodwin and Elisabeth Bronfen" (1993), Johns Hopkins University Press
- Deleuze, Gilles, "Difference and Repetition. Translated by Paul Patton" (1994), Columbia University Press
- Foster, Hal, "Death in America: Shocked Subjectivity and Compulsive Visual Repetition", 75, pp.36~59 (1996)
- Hoskin, Andrew, "Television and the Collapse of Memory", SAGE, 13(1), pp.109~127 (2004)
- Huyssen, Andreas, "Twilight Memories: Marking Time in a Culture of Amnesia" (1995), Routledge
- Nora, Pierre, "Between Memory and History: Les Lieux De Memoire", Representation, 26, pp.7~24 (1989)
- Rancière, Jacques, "Interview: The Image of Brotherhood", Edinburgh, 77, pp.26~31 (1977)
- "Images of Democracy"[URL]
- Sontag, Susan, "Regarding the Pain of Others" (2004), New York Picador
- Žižek, Slavoj, "The Sublime Object of Ideology" (2008), Verso