역사 현장을 통해서 드러나는 기억의 재현과 트라우마의 시각화 연구 -작품<오월어머니>의 회상적 리얼리즘을 중심으로-
A Study on the Representation of Memories revealed in Historical Sites and the Visualization of Trauma - Focusing on the retrospective realism of < May Mother > -
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This thesis summons the memory experienced in the historical site to the person through the photographic work. The documentary photography process of retrospective realism to visualize the trauma derived from the experience at the time was studied. Documentary photography can turn the present into the past, but conversely, it also summons the past into the present. Events can be summoned to the present at any time by a person or site, and in this process, events are reconstructed through photographs. It is a consideration of visualizing the inner trauma of people who were at the center of the incident and expanding it into a field of public opinion and sympathy and whether it is possible to heal this trauma.
Abstract
This thesis summons the memory experienced in the historical site to the person through the photographic work. The documentary photography process of retrospective realism to visualize the trauma derived from the experience at the time was studied. Documentary photography can turn the present into the past, but conversely, it also summons the past into the present. Events can be summoned to the present at any time by a person or site, and in this process, events are reconstructed through photographs. It is a consideration of visualizing the inner trauma of people who were at the center of the incident and expanding it into a field of public opinion and sympathy and whether it is possible to heal this trauma.
참고문헌 (14)
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