비도상적 포토저널리즘을 위한 하이퍼포토그래피에 관하여
On Hyper-Photography for Non-Iconic Photojournalism
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This paper explores the potential of hyper-photography for non-iconic photojournalism in views of the relationships among a photographer, a system of representation, and a seer in the time of convergence culture. To achieve this purpose, the paper firstly rereads the conventional system of photojournalism, the discourse of convergence culture and collective intelligence, in order to enlighten the background of current photojournalism movements pursued by both professionals and amateurs. Hence, this paper will discuss about the practice of collective photojournalism and of hyper-photography by analyzing actual cases happened in Brazil and United States and reinterpreting the system of gaze to enlighten the potential of hyper-photography.
Abstract
This paper explores the potential of hyper-photography for non-iconic photojournalism in views of the relationships among a photographer, a system of representation, and a seer in the time of convergence culture. To achieve this purpose, the paper firstly rereads the conventional system of photojournalism, the discourse of convergence culture and collective intelligence, in order to enlighten the background of current photojournalism movements pursued by both professionals and amateurs. Hence, this paper will discuss about the practice of collective photojournalism and of hyper-photography by analyzing actual cases happened in Brazil and United States and reinterpreting the system of gaze to enlighten the potential of hyper-photography.
참고문헌 (12)
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