일제강점기 소리미디어에 등장하는 지역아리랑 연구

Abstract

In this paper, I tried to examine the overall status of local Arirang, appearing in Japanese colonial era sound media and identify the background of its appearance and performance patterns to reveal its substance. The local Arirangs that appear in Japanese colonial Sound Media are Miryang arirang, Kangwǒndo arirang, Yǒngdong arirang, Yǒngnam arirang, Chindo arirang, Namdo arirang, Yonggang arirang, Chǒngsǒn arirang, Taegu arirang, and Tongnae arirang. These eleven arirangs have different types of music, depending on its melody and types of sound media. In summary, first, each local Arirang has different periods of appearance in sound media. In 1926, Kangwǒndo arirang appeared in 1927, led by Miryang arirang on the meteorological record. In the first half of the 1930s, Yǒngdong arirang, Yǒngnam arirang, Chindo arirang, Namdo arirang, and Yonggang arirang followed. And in the second half of the 1930s, Chǒngsǒn arirang, and Taegu arirang appeared. Second, the trend is different. Based on the number of albums released and broadcasted, Miryang arirang was assumed to be the most popular among other local Arirangs. And it is followed by Kangwǒndo arirang and Chindo arirang. In addition, local Arirang appeared only a few times or did not last for a long time. Third, Miryang arirang, Kangwǒndo arirang, and Chindo arirang, which can be considered as major regional Arirang in Japanese colonial era, have different backgrounds. Kangwǒndo arirang existed as a local folk song and had been introduced through sound media, and Miryang arirang was a popular folk song and had appeared in sound media. And Chindo arirang was a new Arirang that was reorganized and created through sound media. Fourth, the three local Arirangs with different backgrounds also show differences in singer and performance formation. The most popular Miryang arirang shows diversity in singer and organization, while Chindo arirang and Kangwǒndo arirang show relatively limited patterns. Lastly, among the two sound media containing Japanese colonial era regional Arirang, the phonograph record tended to be ahead of broadcasting in terms of timing and trend, and broadcasting was believed to play major role in expanding the trend by supplementing this.