발트 벤야민의 사진론에 관한 해석

Abstract

Walter Benjamin, born on July 15, 1892. He said that the modern way of perception could be characterized by sterilizing an aura as a traditional way of experience on premise that photographs brought about an epoch - making change not only to the overall nature of arts but also to the way that humans perceived the world itself. From the invention of photography through 100 years of history connected with his concept of the aura were separated by description, existence of the technical aura, remain of the artificial aura, extinct of the aura. Formed from an ancient cult, with aura in an authoritarian tradition to modern works of art have been handed down, the tradition of invention, the picture continued for a period of 10 years earlier on the basis of the arrival of a malleable narrative that was when the picture. Benjamin was a Marxist leftist thinkers society divided into the superstructure and substructure and infrastructure, depending on the flow of time is always changing but always unchanged superstructure has the power to suppress the infrastructure that was critical. He superstructure with an aura of power, the phenomenon is connected with the tradition and understanding. He means for producing a new image from photos and movies were the possibilities for social transformation.