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인물사진 표현방법에 관한 연구 - 지뢰 피해자 ‘인생사진’ 작품을 중심으로 -

A Study on the Expression Method of Portrait Photography - Focusing on the Work of ‘Life Photography’ of the Victims of Landmines -

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키워드

주제분류기타예술체육

초록

This study is about the portrait work 'Life Photography', which was conducted with an emphasis on socially expanding personal stories. With the purpose of telling the story of landmine victims living with disabilities due to an unexpected accident, the photo education program was conducted to show that ‘Even now, mine victims continue to occur in Korea’. Portrait was chosen as a means of expression that allows subjects to directly show themselves as subjects serving as visual evidence as well as the photographer's perspective to inform social issues. As a photographer who conducts 'Life Photography', I tried to choose a method of helping them to bring out their life story and creating their own image together, rather than simply recording from the viewpoint of an observer who conveys facts and information. What I tried in this work was not only considering the recordability, sociality, and artistry, but also allowing the subject to have the experience of participating in the method of self-portrait construction. It stands out as a subjective object that can actively record one's appearance, and allows it to play a role in directly delivering a social message.

Abstract

This study is about the portrait work 'Life Photography', which was conducted with an emphasis on socially expanding personal stories. With the purpose of telling the story of landmine victims living with disabilities due to an unexpected accident, the photo education program was conducted to show that ‘Even now, mine victims continue to occur in Korea’. Portrait was chosen as a means of expression that allows subjects to directly show themselves as subjects serving as visual evidence as well as the photographer's perspective to inform social issues. As a photographer who conducts 'Life Photography', I tried to choose a method of helping them to bring out their life story and creating their own image together, rather than simply recording from the viewpoint of an observer who conveys facts and information. What I tried in this work was not only considering the recordability, sociality, and artistry, but also allowing the subject to have the experience of participating in the method of self-portrait construction. It stands out as a subjective object that can actively record one's appearance, and allows it to play a role in directly delivering a social message.

참고문헌 (8)

  1. 천경우, "참여적 자화상으로서의 인물사진 : Being a Queen, Face of Face 시리즈를 중심으로", 현대사진영상학회 논문집, 24(2), pp.5~21 (2021), 현대사진영상학회
  2. 베셀 반 데어 콜크, "몸은 기억한다", pp.158~ (2020), 을유문화사
  3. 뷰먼트 뉴홀, "기록으로서의 사진", pp.29~ (1996), 눈빛
  4. 수잔 손탁, "사진에 관하여", pp.70~84 (2007), 도서출판 이후
  5. 아더 로드스타인, "다큐멘터리 사진론", pp.58~ (1994), 눈빛
  6. 존 버거, "본다는 것의 의미", pp.79~ (2000), 동문선
  7. 필립 퍼키스, "사진강의 노트", pp.34~ (2014), 안목
  8. Jesse Fox, "Selective Self-Presentation and Social Comparison Through Photographs on Social Networking Sites", ~ (2016)

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