다큐멘터리 사진의 참여적 재현과 이미지–텍스트 병치에 관한 연구 -짐 골드버그(Jim Goldberg)의 작품을 중심으로
Participatory Representation and Image–Text Juxtaposition in Documentary Photography: A Case Study of Jim Goldberg
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Traditional documentary photography has long operated under asymmetrical power dynamics, privileging the photographer's gaze while rendering subjects silent and passive. This research examines the participatory practices of Jim Goldberg as a significant departure from this model, focusing on how his work reconfigures the ethics of representation. Through the juxtaposition of image and subject-authored text in projects such as Rich and Poor, Raised by Wolves, and Coming and Going, Goldberg invites his subjects to become co-narrators of their own stories. Drawing on Roland Barthes’ concepts of anchorage and relay, this study explores how the image-text relationship in Goldberg’s work generates interpretive plurality and emotional resonance. His practice disrupts conventional documentary authority and enables collaborative storytelling, redefining photography as a relational and affective medium. Ultimately, this research argues that Goldberg’s approach offers a compelling model for ethical and participatory documentary photography that challenges fixed narratives and empowers subjectivity.
Abstract
Traditional documentary photography has long operated under asymmetrical power dynamics, privileging the photographer's gaze while rendering subjects silent and passive. This research examines the participatory practices of Jim Goldberg as a significant departure from this model, focusing on how his work reconfigures the ethics of representation. Through the juxtaposition of image and subject-authored text in projects such as Rich and Poor, Raised by Wolves, and Coming and Going, Goldberg invites his subjects to become co-narrators of their own stories. Drawing on Roland Barthes’ concepts of anchorage and relay, this study explores how the image-text relationship in Goldberg’s work generates interpretive plurality and emotional resonance. His practice disrupts conventional documentary authority and enables collaborative storytelling, redefining photography as a relational and affective medium. Ultimately, this research argues that Goldberg’s approach offers a compelling model for ethical and participatory documentary photography that challenges fixed narratives and empowers subjectivity.