마사 로슬러의 비주얼스토리텔링: <두 부적절한 서술체계 속의 바워리 가>를 통해 제기하는 사회적 사진의 가능성
Martha Rosler’s Visual Storytelling: The Possibility of Social Photography Presented in <The Bowery in Two Inadequate Descriptive Systems>
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The purpose of this study was to apprehend the singularity of Martha Rosler’s photographic work and its relationship to contemporary photographic examples by analyzing her work <The Bowery in Two Inadequate Descriptive Systems> and thoughts on documentary photography. What Rosler’s <The Bowery> and 「In, Around and Afterthoughts (on Documentary Photography)」 had emphasized was the puissance of photography. Rosler’s application of “quotation” was aimed at getting the audience to be actively affected by the sense of estrangement and to be freed from the structure and knowledge of society that was considered selfevident. She considered it would be an alternative way of social photography invoking the puissance of photography that makes it possible for political transformation. This potential overlaps with the capabilities of Deleuze’s timeimage. So to speak, it enables the audience to have multiple perspectives to identify the system and cultural ideology of society existing within a long period of time.
Abstract
The purpose of this study was to apprehend the singularity of Martha Rosler’s photographic work and its relationship to contemporary photographic examples by analyzing her work <The Bowery in Two Inadequate Descriptive Systems> and thoughts on documentary photography. What Rosler’s <The Bowery> and 「In, Around and Afterthoughts (on Documentary Photography)」 had emphasized was the puissance of photography. Rosler’s application of “quotation” was aimed at getting the audience to be actively affected by the sense of estrangement and to be freed from the structure and knowledge of society that was considered selfevident. She considered it would be an alternative way of social photography invoking the puissance of photography that makes it possible for political transformation. This potential overlaps with the capabilities of Deleuze’s timeimage. So to speak, it enables the audience to have multiple perspectives to identify the system and cultural ideology of society existing within a long period of time.
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