보이스 오버 내레이션의 서사적 효과

Abstract

Traditionally, the film forms its own language through to deal with visual image. Image was the center of the film language and it is the very thing that the film was separated clearly from other media, especially the novel. For a long time ago, visual image had been considered to the subject and the object of cinematic expression. Early on the sound pictures age, disparages and hostilities about the sound from the silent pictures advocates were related with such visualism. Of course the sound itself was not excluded; it was recognized and utilized as the way of making up for visual image and raising cinematic effects. However this relationship was made from strictly hierarchy. This rank what visual image hold a prominent position than auditory image has been solid in spite of eye-opening progresses for experimentation and aesthetic accomplishment of the sound through whole film history. This research is looking into abundance of narrative action and effect for the cinema when we embody newly the auditory image that cinema passed over. Specially, in methods of forming an auditory image, voice-over narration is related to expansion of cinematic expression on this point that it can lead active or be substituted for visual image. A Man Escaped and India Song are the cases of the possibility. A Man Escaped endowed with feeling and cubic effect of it for making use of voice-over which is more abundant than on-screen image. Sound and effect from voice-over surpasses narrative effect of visual image. In India Song, invisible narrators lead the story and they break down a border of the past/the present, memory/imagination, a fiction/reality. Sound of India Song is peculiar as it is not that be the side of making up for image, but that be worked self-controlled and exists. And it also peculiar as it separate image tracks from sound tracks to use voice-over narration and deepens vagueness.