호모 나랜스의 창조적 수사학: 『프랑켄슈타인』과 「오멜라스를 떠나는 사람들」을 중심으로
Homo Narrans’ Creative Rhetoric: Frankenstein and The Ones Who Walk Away From Omelas
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
This study analyzed the narrative method employed in Mary Shelley’s Frankenstein and Ursula Le Guin’s The Ones Who Walk Away From Omelas in terms of Homo Narrans, which means human beings telling stories. Homo Narrans, named by John D. Niles, can be meant that only humans make and listen to stories. When the homo narrans delivers his or her story, the rhetoric of storytelling is very important. To do this, Shelley uses speech-like writing which is effective measures in expressing emotion and forming harmonious communion with others and Le Guin induces readers an ur-story to draw readers response. In Frankenstein each homo narrans uses his voice and gesture rather than logic and reason to keep telling his story. This way of writing in the form of speaking is very close to the feminine writing. Through this narrative structure, the desire of one homo narrans is transferred to that of the other in the different narration. On the other hand, Le Guin’s storytelling, based on an ur-story, uses more complex narrative structure by making a story with readers. Unlike the traditional form of writing novels, there is no distinction between narrators and readers. So it can help produce tons of stories if the narrators or readers so wish to. With this rhetoric Le Guin warns people against utilitarianism intentionally. Homo Narrans functions as a key role to deliver the topic of the stories. With homo narrans’ first-person narrations, the self-in- relations writing in the two novels arouse reader’s sympathy more easily than male dominated writing.
Abstract
This study analyzed the narrative method employed in Mary Shelley’s Frankenstein and Ursula Le Guin’s The Ones Who Walk Away From Omelas in terms of Homo Narrans, which means human beings telling stories. Homo Narrans, named by John D. Niles, can be meant that only humans make and listen to stories. When the homo narrans delivers his or her story, the rhetoric of storytelling is very important. To do this, Shelley uses speech-like writing which is effective measures in expressing emotion and forming harmonious communion with others and Le Guin induces readers an ur-story to draw readers response. In Frankenstein each homo narrans uses his voice and gesture rather than logic and reason to keep telling his story. This way of writing in the form of speaking is very close to the feminine writing. Through this narrative structure, the desire of one homo narrans is transferred to that of the other in the different narration. On the other hand, Le Guin’s storytelling, based on an ur-story, uses more complex narrative structure by making a story with readers. Unlike the traditional form of writing novels, there is no distinction between narrators and readers. So it can help produce tons of stories if the narrators or readers so wish to. With this rhetoric Le Guin warns people against utilitarianism intentionally. Homo Narrans functions as a key role to deliver the topic of the stories. With homo narrans’ first-person narrations, the self-in- relations writing in the two novels arouse reader’s sympathy more easily than male dominated writing.
참고문헌 (26)
- 르귄, 어슐라 K., "글쓰기의 항해술" (2010), 황금가지
- 티어노, 마이클, "스토리텔링의 비밀: 아리스토텔레스와 영화" (2008), 아우라
- 한혜원, "디지털 시대의 신인류: 호모 나랜스" (2010), 살림
- Barobour, Douglas, "Wholeness and Balance, In Ursular K. LeGuin" (1986), Chelsea House
- Bittner, James W., "Approaches to the Fiction of Ursula K. LeGuin" (1984), UMI Research Press
- Collings, David, "The Monster and the Imaginary Mother: A Lacanian Reading of Frankenstein, In Frankenstein", pp.245~258 (1992), St. Martin’s
- Collins, Jerre, "Leaving Omelas: Questions of Faith and Understanding", Studies in Short Fiction, 27, pp.525~535 (1990)
- Craciun, Adriana, "Writing the Disaster: Franklin and Frankenstein", Romanticism, 65, pp.433~480 (2011)
- Donner, Wendy, "Self and Community in Environmental Ethics, In Ecofeminism: Women, Culture, Nature", pp.375~389 (1997), Indiana UP
- Haraway, Donna, "I a Woman, and Inappropriated Others: The Human in a Post-Humanist Landscape, In Feminists Theorize The Political", pp.86~100 (1992), Routledge
- My Self, In Modern Critical Interpretation: Mary Shelley’s Frankenstein, "My Monster", pp.1987, Johnson, Barbara
- Keeling, Thomas H., "Bridges to Science Fiction", pp.107~119 (1980), Southern Illinois University Press
- Kincaid, Paul, "On the origins of genre", Extrapolation, 44(4), pp.409~420 (2003)
- Knapp, Shoshana, "The Morality of Creation: Dostoevsky and William James in LeGuin’s ‘Omelas’", The Journal of Narrative Technique, 15(1), pp.75~81 (1985)
- LeGuin, Ursula K., "The Ones Who Walk Away From Omelas, In Literature: An Introduction to Fiction, Poetry, and Drama. Fourth Compact Edition", pp.221~226 (2005), Peason Longman
- Niles, John D., "Homo Narrans: The Poetics and Anthropology of Oral Literature" (1999), University of Pennsylvania Press
- Oates, Joyce Carol, "Frankenstein’s Fallen Angel, In Modern Critical Interpretation: Mary Shelley’s Frankenstein", pp.67~79 (1987), Chelsea
- Oziewicz, Marek, "One Earth, One People, In The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott Card" (2008), McFarland & Company, Inc
- Pon, Cynthia, "‘Passages’ in Mary Shelley’s Frankenstein: Toward a Feminist Figure of Humanity?", Modern Language Studies, 30(2), pp.33~50 (2000)
- Rochelle, Warren G., "Choosing to Be Human: American Romantic", Pragmatic Rhetoric in Ursula K. LeGuin’s Teaching Novel, Gifts, 2007, pp.48(1), 84~95
- Rousseau, Jean-Jacque, "Essay on the Origin of Language and Writings Related to Music, In The Collected Writings of Rousseau. Vol.7" (1998), Dartmonth College Press
- Simon, Linda, "William James’s Lost souls in Ursula LeGuin’s Utopia", Philosophy and Literature, 28, pp.89~103 (2004)
- Sobeloff, Judy, "An overview of ‘The Ones Who Walk Away from Omelas’", Short Stories for Students, pp.25~30 (2002)
- Shelley, Mary, "Frankenstein; or The Modern Prometheus" (1985), Penguin Books
- Spivack, Charlotte, "Ursula K. LeGuin" (1984), Twayne
- Tolkein, J. R. R., "Tree and Leaf" (1988), Houghton Mifflin Company