어슐라 K. 르 귄의 SF 작품에서의 도가적이고 미국적인 “집”에 대하여: 「오멜라스를 떠나는 사람들」과 환영의 도시를 중심으로
A Study of Ursula K. Le Guin’s American Taoist “Home” in Her Science Fiction: Focusing on “The Ones Who Walk Away from Omelas” and City of Illusions
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper examines the spatial narration of Ursula K. Le Guin’s American Taoist “home” by analyzing “The Ones Who Walk Away from Omelas,” City of Illusions and other Hainish SFs. Suggesting that the European binary opposition is the cause of violence in Le Guin’s Omelas, the paper considers the necessity of deconstructing the binary opposition by installing the Taoist thought. The paper further investigates the features of Le Guin’s “home” in her Hainish SFs. Le Guin has taken a long journey to reconstruct her Taoist “home” for over 40 years. However, her Taoist home is not a complete mimic of Lao Tzu’s Taoism, but is instead an American adaption.
Abstract
This paper examines the spatial narration of Ursula K. Le Guin’s American Taoist “home” by analyzing “The Ones Who Walk Away from Omelas,” City of Illusions and other Hainish SFs. Suggesting that the European binary opposition is the cause of violence in Le Guin’s Omelas, the paper considers the necessity of deconstructing the binary opposition by installing the Taoist thought. The paper further investigates the features of Le Guin’s “home” in her Hainish SFs. Le Guin has taken a long journey to reconstruct her Taoist “home” for over 40 years. However, her Taoist home is not a complete mimic of Lao Tzu’s Taoism, but is instead an American adaption.
참고문헌 (28)
- 김용규, "철학카페에서 문학 읽기" (2006), 웅진지식하우스
- 김용석, "서사철학" (2010), 휴머니스트
- 마춘옥, "어슐러 K. 르 귄의 『환영의 도시』에서의 이중서사구조와 도가적 영향 연구", 동서비교문학저널, (54), pp.167~187 (2020), 한국동서비교문학학회
- 바슐라르, 가스통, "공간의 시학" (1990), 민음사
- 어슐러 르 귄, "밤의 언어" (2019), 서커스
- 어슐러 르 귄, "바람의 열두 방향", pp.451~468 (2014), 시공사
- 어슐러 르 귄, "환영의 도시" (2005), 황금가지
- 어슐러 르 귄, "빼앗긴 자들" (2018), 황금가지
- 이진경, "근대적 시공간의 탄생" (2006), 푸른숲
- 임석진 외, "철학사전" (2008), 중원문화
- 조미정, "「제비뽑기」와 「오멜라스를 떠나는 사람들」에 나타난 목적 없는 폭력의 상징적 의도", 영어영문학, 19(2), pp.19~41 (2014), 미래영어영문학회
- 키어니, 리처드, "이방인, 신, 괴물" (2004), 개마고원
- 컨, 스티븐, "시간과 공간의 문화사: 1880-1918" (2004), 휴머니스트
- 풍우란, "중국철학사 (상)" (2004), 까치
- 황은주, "도가와 융의 사상으로 본 우르술라 르 귄의 어스시의 마법사(A Wizard of Earthsea)", 동화와 번역, (24), pp.395~417 (2012), 동화와번역연구소
- 张法, "中西美学与文化精神" (2010), 中国人民大学出版社
- 张祥龙, "“家”的歧异", 同济大学学报, 27, pp.19~29 (2016)
- Bloom, Harold, "Ursula K. Le Guin" (1986), Chelsea House
- Davis, Laurence, "The New Utopian Politics of Ursula K. Le Guin’s The Dispossessed" (2005), Lexington Books
- Dong, Ye, "Ursula K. Le Guin’s Quest for Tao in Her Science Fiction and Fantasy World" (2017), Xiamen UP
- Erlich, Richard D., "Coyote’s Song: The Teaching Stories of Ursula K. Le Guin" (2010), Borgo Press
- Hyder, Sanaa, "Ursula K Le Guin: Thinking about What Matters", The Lancet Psychiatry, 7(2), pp.131~133 (2020)
- Le Guin, "Dancing at the Edge of the World: Thoughts on Words, Women, Places" (1989), Grove Press
- Matore, Georges, "L’Espace Humain" (1962), La Columbe
- Spivak, Charlotte, "Ursula K. Le Guin" (1984), Twayne
- Tzu, Lao, "Tao Te Ching: A Book about the Way and the Power of the Way" (1997), Shambhala
- Wickes, George, "Ursula K. Le Guin, The Last Interview and Other Conversations", pp.51~78 (2019), Melville House
- Arwen Curry, "Worlds of Ursula K. Le Guin", The Cattincus Corperation, ~ (2018)