피와 분노의 여정으로 얼룩진 트라우마 서사 읽기: 알레시아 해리스의『이즈 갓 이즈』를 중심으로
Reading a Traumatic Story Stained with Blood and Anger Journey: Focused on Aleshea Harris’ Is God Is
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This paper analyzes the process and pattern of repressed trauma and violence in Black families centered on the keyword “anger.” Aleshea Harris presents a deep meditation on the ways in which anger generated by trauma spreads to the next generation and how this transfer affects their lives. Is God Is sheds light on the lives of Black twin sisters who suffered burns from a terrible fire set by their father. Mama’s story makes them angry with the man who committed such terrible things against them, and so they set out on a journey to punish him. Mama shows her body, scarred by the burning, and it becomes a trigger that unlocks the sisters’ repressed anger. In anger, they yearn to take revenge on the man who ruined their lives. The sisters’ anger, suppressed until their meeting with Mama, unleashes a violent act of murder that destroys the man. Racine and Anaia were victims of violence, but they later become perpetrators of violence against others. The most tragic aspect of the trauma is that the next generation cannot find a way out of the terrible reality nor understand the true source of their pain. Is God Is deals with how violence reverberates within a family through a story of trauma that tragically dismantles a family in a vicious cycle of unresolved violence.
Abstract
This paper analyzes the process and pattern of repressed trauma and violence in Black families centered on the keyword “anger.” Aleshea Harris presents a deep meditation on the ways in which anger generated by trauma spreads to the next generation and how this transfer affects their lives. Is God Is sheds light on the lives of Black twin sisters who suffered burns from a terrible fire set by their father. Mama’s story makes them angry with the man who committed such terrible things against them, and so they set out on a journey to punish him. Mama shows her body, scarred by the burning, and it becomes a trigger that unlocks the sisters’ repressed anger. In anger, they yearn to take revenge on the man who ruined their lives. The sisters’ anger, suppressed until their meeting with Mama, unleashes a violent act of murder that destroys the man. Racine and Anaia were victims of violence, but they later become perpetrators of violence against others. The most tragic aspect of the trauma is that the next generation cannot find a way out of the terrible reality nor understand the true source of their pain. Is God Is deals with how violence reverberates within a family through a story of trauma that tragically dismantles a family in a vicious cycle of unresolved violence.
참고문헌 (13)
- Caruth, Cathy, "Unclaimed Experience: Trauma, Narrative, and History" (1996), The Johns Hopkins UP
- Cunningham, Vinson, "Aleshea Harris’s Ritual for the Living", The New Yoker Theatre, ~ (2021)
- Elan, Harry J, "African American Performance and Theater History : A Critical Reader", The Drama Review, 49(1), pp.168~171 (2005)
- Eldridge, R. J., "In Conversation with Aleshea Harris", Royal Court Theatre, ~ (2020)
- Fleishman, Jeffrey, "Playwright Aleshea Harris fierce struggle with American racism", Los Angels Times, ~ (2019)
- Freud, Sigmund, "The Ego and the Id" (1989), Norton
- Green, Adam, "Aleshea Harris’s New Play, On Sugarland, Is Poised to Shake Up New York Theater", Vogue, ~ (2022)
- Harris, Aleshea, "Is God Is" (2017), 3 Hole Press
- Jacobs Jenkins, Branden, "A Black Gaze: An Interview with Aleshea Harris", American Theatre, 50~51 (2019)
- LaCapra, Dominick, "History in Transit: Experience, Identity, Critical Theory" (2004), Cornell UP
- Laub, Dori, "Trauma: Exploration in Memory" (1995), The Johns Hopkins UP
- Pierce, Jerald Raymond, "A New Wave of Black playwright Has Upended The Myth of The Singular Genius, Even as Tokenism and Constraining Expectation Persist: WE’RE GOING TO NEED A BIGGER TABLE", America Theatre, 57~61 (2019)
- Sukop, Sylvia, "Responding to a world which no longer makes sense”:An interview with Aleshea Harris", HUFFPOST, ~ (2017)